David Benedict Powered — that most definitely is the word — by Michael Balogun’s blistering performance, Clint Dyer and Roy Williams’ dynamic solo play “Death of England: Delroy” is the latest and most singular theatrical victim of Covid-19.
Why? Because its press night at the National Theatre was also its closing night, arriving as it did on the eve of England’s second lockdown.
Most shows shuttering on their opening night sink mercifully without trace, but “Death of England: Delroy” will, without a doubt, rise again.Written before the death of George Floyd and the worldwide surge of the Black Lives Matter movement, Dyer and Williams’ drama about Black British identity has twinned antecedents.
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