How badly can a single performance wreck an entire film? This is the unfortunate question prompted by Steven Spielberg’s new film adaptation of “West Side Story,” a dazzling and energetic movie musical that features, at its center, a performance with all the charisma of a bump on a log.
The perpetrator is Ansel Elgort, cast in the leading role of Tony, and he’s absolutely dull as toast — his delivery is flat, his tics and affectations are too contemporary, his expressions are wooden, and he suffers from a total lack of credibility.
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