Owen Gleiberman Chief Film CriticSteven Spielberg’s “West Side Story” has a brash effervescence. You can feel the joy he got out of making it, and the kick is infectious.
Directing his first musical, Spielberg moves into the big roomy space of a Broadway-meets-Hollywood classic, rearranges the furniture (the film’s screenwriter, Tony Kushner, has spiced up the dialogue and tossed out the most cringe-worthy knickknacks), and gives it all a fresh coat of desaturated, bombed-out-city-block, gritty-as-reality paint.
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