Tomris Laffly What’s a bigger offense than a movie wasting away a committed Drew Barrymore performance? That would be a movie wasting away two committed Drew Barrymore performances.
Alas, here comes “The Stand In,” doing exactly that as a well-intentioned but broad and ill-realized showbiz satire, in which the talented performer plays a pair of characters with polar-opposite existences that intertwine in a painfully unfunny fashion.Conceived by a promising team — director Jamie Babbit, who made a wholehearted contribution to the LGBTQ canon with her 1999 debut “But I’m A Cheerleader” and “Four Lions” scribe Sam Bain — “The Stand In” poses as a Hollywood send-up with something to say on female rivalry and cost of stardom, only to come out.
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