Jazz Tangcay Artisans EditorCinematographer Matthew Libatíque has become known for his signature use of anamorphic lenses and working with light to add realism to his images.But for Ryan Murphy’s “The Prom,” the screen adaptation of the 2018 Broadway musical that premieres Dec.
11 on Netflix, he changed the approach. This time, he went with spherical lenses because he felt he was starting to repeat himself — and Murphy went along with the cinematographer’s preference.Libatíque used large-format lenses to capture Meryl Streep’s Dee Dee Allen, a Broadway actor whose star is beginning to fade after her latest show flops on opening night.
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