A few years back, when Maggie Gyllenhaal was making The Kindergarten Teacher with Pie Films’ producing partners Talia Kleinhendler and Osnat Handelsman-Keren, the idea arose that Gyllenhaal herself should direct a project.
Securing the rights to Elena Ferrante’s novel, The Lost Daughter, Gyllenhaal re-teamed with Pie Films, crafted her first feature script and cast Olivia Colman as Leda, a middle-aged woman whose past haunts her when she meets a young woman on vacation.
Amid a Covid-driven location switch to Greece and quarantine with her film-family, Gyllenhaal crafted a feature filled with eviscerating but necessary truths about motherhood and all its complexity.DEADLINE: How did you and Talia and Osnat start talking about you directing on a project together?MAGGIE GYLLENHAAL: It’s funny.
Looking back on it now, after having made this film, which I love, it’s clear to me that I always wanted… well, that I always probably was a director and that I was always bumping against the edges of what was available to me, as an actress.
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