‘Smile’ Sees $2M In Previews, ‘Don’t Worry Darling’ Ends First Week With $25.5M+ – Box Office

Paramount’s Smile is positively grinning ear-to-ear as the horror pic from director Parker Finn saw a wild 19% upswing in holdovers at the international box office in its second frame. The weekend gross was $17.5M in 61 markets for a $40M offshore cume and $89.9M global to date.

according to IMDB’s Box Office Mojo. The horror flick is projected to take in $16.8 million this weekend, according to The Hollywood Reporter.

Taking to Twitter on Sunday, Eichner noted, “Even with glowing reviews, great Rotten Tomatoes scores, an A CinemaScore etc, straight people, especially in certain parts of the country, just didn’t show up for Bros. And that’s disappointing but it is what it is,” adding, “Everyone who ISN’T a homophobic weirdo should go see BROS tonight! You will have a blast!”Contemporary reading comprehension and short online tempers being what they are, these tweets immediately got translated into: “Billy Eichner called everyone who didn’t see ‘Bros’ a homophobe!”So what, then, should we take away from the disappointing opening weekend of “Bros”? Well, for starters, some of those online theories actually do hold water.

Bros, tweeting that “straight people, especially in certain parts of the country, just didn’t show up” for the movie during its opening weekend.The Universal film — marketed as the first gay romantic comedy released by a major Hollywood studio — took in a disappointing $4.8 million on its opening weekend, with ticket sales being especially low in the Midwest and the South, reports The Hollywood Reporter.“That’s just the world we live in, unfortunately. Even with glowing reviews, great Rotten Tomatoes scores, an A CinemaScore etc, straight people, especially in certain parts of the country, just didn’t show up for Bros.

Smile has received rave first reactions on social media from fans.Written and directed by debut filmmaker Parker Finn, Smile follows Dr. Rose Cotter (Sosie Bacon), who, after witnessing a traumatic incident involving a patient, starts to experience terrifying and inexplainable occurrences.Alongside Bacon, the cast also includes The Boys star Jessie T.

Billy Eichner’s Universal-backed comedy “Bros” flopped at the box office during its opening weekend with a $4.8 million bow, about half of the $8 million to $10 million that the studio projected. Eichner, in a now viral tweet, claimed that straight people not showing up to an LGBTQ comedy was a driving force behind “Bros” underperformance. “Even with glowing reviews, great Rotten Tomatoes scores, an A CinemaScore, etc., straight people, especially in certain parts of the country, just didn’t show up for ‘Bros,'” Eichner wrote. “And that’s disappointing but it is what it is.” Eichner is certainly correct that some straight moviegoers weren’t interested in the material, while homophobia about two men falling in love also likely figured in. During a recent trip to a multiplex in Georgia, for instance, this writer saw a group of men being openly homophobic by mocking the “Bros” poster for featuring a guy putting his hand on another guy’s butt. However, the $4.8 million opening for “Bros” is so low that it also means many LGBTQ viewers didn’t show up to see the comedy in theaters either. So why did “Bros” disappoint?

Billy Eichner has THOUGHTS on his debut film Bros’ low box office numbers!

TMZ, and they show several inches of standing water filling most of the ground floor. In addition, portions of the ceiling caved in and have significant water damage.

Bros, touted as the first mainstream Hollywood studio-backed gay rom-com, has opened to a less than enthusiastic response at the US Box office.Variety reported that Bros debuted at number four and had grossed $4.8 million in its opening weekend – half the collections projected by the studio. Universal had expected a $8 to $10 million opening for the Judd Apatow-produced film directed by Nicholas Stoller and starring Billy Eichner and Luke Macfarlane.Before the movie was released, homophobes had review bombed the movie with low ratings.

Billy Eichner is speaking out in response to his movie Bros‘ disappointing debut at the box office.

Billy Eichner is weighing in on the debut of his film, and reflecting on why he thinks it didn't manage to rake in huge returns despite a stellar critical response.«Last night I snuck in and sat in the back of a sold out theater playing BROS in LA. The audience howled with laughter start to finish, burst into applause at the end, and some were wiping away tears as they walked out,» Eichner write, as part of a series of tweets, on Sunday. «It was truly magical.  Really.

Billy Eichner is getting the box office results of his movie Bros and although the film is underperforming, he’s “proud” of the work he did on the big screen.

“Bros” did not bring big audiences out to the theatre, and its star thinks he knows why.

“Bros,” the Billy Eichner-fronted film tumbled at the box office on opening weekend. And Eichner – who also co-wrote the film with director Nicholas Stoller – puts the blame on straight people not showing up.“Rolling Stone already has ‘Bros’ on the list of the best comedies of the 21st century.

It was a varied offering at the international box office this weekend with newcomers from Hollywood and offshore markets, as well as notable holds, as we inch closer to full-on action later in October. 

Smile,” despite its sunshine-y name, is currently scaring the hell out of America.The original Paramount horror movie debuted at #1 at the box office this weekend. And for good reason – it’s really scary! “Smile,” from writer/director Parker Finn, follows a young doctor named Rose (Sosie Bacon), who uncovers an insidious curse after one of her patients murders herself in front of Rose.“Smile” recently had its world premiere at Fantastic Fest, an international film festival in Austin, Texas that specializes in genre movies. Known for its raucous crowds, Bacon told TheWrap what that first screening was like.

according to IMDB’s Box Office Mojo.The feature film debut from writer and director Parker Finn was called a film with a “highly effective creep factor,” by Variety.It is predicted to be grinning all the way to a $19 million dollar opening weekend,” according to Deadline.Moving down a notch to second place from the top slot last week was “Don’t Worry Darling,” with $2.4 million in sales. The firm, which cost $35 million to make, according to Forbes, has netted $27.9 million domestically and $11 million internationally.Directed by Olivia Wilde, the 1950s-set thriller was “mid to poorly reviewed,” and is forecast to bring in just $7.2 million on its second weekend in theaters, according to Collider.

“Smile” is here.The new horror film from Paramount Pictures concerns a young doctor (Sosie Bacon) who, after a patient kills themselves in front of her, uncovers a vast and bizarre mystery involving a demonic curse that causes some very unsettling smiles. It’s a terrific little horror movie, full of genuinely scary moments and indelible images. If you head to a theater this weekend to watch, you will undoubtedly be surrounded by screaming viewers (yourself probably included).“Smile” had its world premiere at Fantastic Fest, an international film festival in Austin, Texas, known for its commitment to cutting-edge genre cinema.

J. Kim Murphy “Smile” has something grin about this weekend. The creeper is projected to land a $19 million debut from 3,645 locations. It’s a fantastic start for the genre film, which carries a modest $17 million production budget. Compared to other original horror entries this year, Universal’s supernatural kidnap thriller “The Black Phone” kicked off with $23 million while 20th Century Studios’ “Barbarian” opened to $10 million. “Smile” landed a mildly positive “B-” grade through research firm Cinema Score, though such a figure is standard for a horror release. The film has drawn good buzz with solid reviews, scoring a 79% from top critics on review aggregation website Rotten Tomatoes. Variety‘s chief film critic Owen Gleiberman praised the film in his review, writing that it “sets up nearly everything — its highly effective creep factor, its well-executed if familiar shock tactics, its interlaced theme of trauma and suicide — before the opening credits.”

Rebecca Rubin Film and Media Reporter Hold onto your bucket hats: Sony’s action-thriller “Bullet Train” crossed $100 million at the domestic box office. It’s an impressive milestone (in post-COVID times) for an original movie that doesn’t involve marquee comic book heroes or intergalactic adventures. It helps, of course, that a bankable actor like Brad Pitt stars in the film, as a heavily therapized assassin named Ladybug. “Bullet Train” reached $101 million in domestic ticket sales on Friday, making it only the 14th release this year to hit that benchmark. With another $130 million at the international box office, the film has now earned $231 million in global ticket sales to date.

SATURDAY AM:Paramount and other studios are calling Smile at a $19M opening. In a deja vu to last weekend with New Line’s Don’t Worry Darling, another genre pic, this R-rated horror film has received a B- CinemaScore and a severe 69%/53% definite recommend on Comscore/Screen Engine’s PostTrak; a standard audience reaction for such fare. We see one studio calling Smile at $20M, and frankly with this audience score, and the front-loaded nature of horror films, only tonight will determine if this goes up. Last weekend, everyone got excited about the initial numbers they were seeing for Don’t Worry Darling, got over their skis and called the weekend at $20M on Saturday AM before it eased to $19.3M by Monday. Smile‘s Friday is $8.2M, which includes Thursday’s $2M previews.

“Smile” is opening on the upper end of pre-release independent projections with $8.2 million earned on Friday from 3,645 locations and an estimated $19 million opening, which would be the third straight weekend that a No. 1 film has earned that amount.

Bill Maher saved his final “New Rule” on tonight’s Real Time to address sex in the workplace. His news hook was two workplace romances that have gotten a lot of media attention of late: that between Boston Celtics head coach Ime Udoka and an unnamed female subordinate and the relationship between director Olivia Wilde and her Don’t Worry Darling co-star Harry Styles.

Giving his response. Author Jordan Peterson opened up after Olivia Wilde claimed that Chris Pine’s character in Don’t Worry Darling was inspired by him — and that he was a “hero” for the “incel” community. 

Jeremy Clarkson’s daughter Emily has shared the happy news of her first pregnancy with husband Alex Andrew. Emily, who is the eldest daughter of former Top Gear host Jeremy Clarkson and his ex-wife Frances Cain, took to Instagram to make the announcement. ‘We’re so delighted to share that we’re expecting a baby girl in early 2023,’ the 27-year-old influencer and author shared.

“Smile” is ready to give you the willies.The new original horror film, from first-time writer/director Parker Finn, is here just in time for spooky season and it doesn’t disappoint – this thing is scary, disturbing and, yes, downright haunting. It follows Dr. Rose Cotter (Sosie Bacon), whose patient kills herself in front of Rose while wearing a ghastly smile on her face.

It doesn’t happen too often, especially from modern studio fare, but Parker Finn’s “Smile” is the kind of horror movie that earns the unique qualification of “genuinely scary.” Credit to Finn, the writer/director making his feature debut here, for achieving this with a strong and simple visual hook: possessed characters who smile, a sign to the witness that something is about to go horrifically wrong. It’s always creepy when actors here suddenly force a wide grin onto their faces, gradually baring their full teeth and pointing their eyes in a fashion that would barely be welcoming in a photo.

Written and directed by Parker Finn, Smile personifies trauma and examines its ripple effect and how it connects people, places, and things. The film stars Sosie Bacon, Jessie T. Usher, and Kyle Gallner.

Smile,” the unsettling Paramount horror about grins, murder and suicide, has earned $2 million from Thursday previews at the domestic box office. On the other side of the cinematic spectrum, Universal’s “Bros,” a romantic comedy with entirely LGBTQ cast, has grossed $500,000. As the two movies face off at the box office this weekend, “Smile” is expected to earn the top spot over “Bros” and defending champ, “Don’t Worry Darling,” which has earned $25.5 million in its first week of release. The horror movie is projected to earn between $16 million and $20 million this weekend. Paramount will be smiling from ear to ear with a box office haul anywhere in that range, seeing as the low-budget fright fest cost a measly $17 million to make.

eerily grinning fans at a baseball game or Eichner running down New York City streets with Paul Rudd and a pack of lesbians. For a comparison for “Smile,” Universal and Blumhouse’s “The Black Phone” from this summer, another original horror film, managed $3 million in its Thursday previews before opening to $23.6 million.

Jordan Peterson visited Piers Morgan and got very emotional when asked about Olivia Wilde’s recent comments regarding him.

Her first film was Booksmart, and her second should have been titled Mediasmart. Instead it’s Don’t Worry Darling, and it’s been a worry from the outset.

There might be a box office surprise this weekend in Paramount’s horror movie Smile.

Sosie Bacon gets in the middle of a big cast picture at the premiere of their new movie, Smile, during the 2022 Beyond Fest at the Aero Theatre on Tuesday night (September 27) in Santa Monica, Calif.

Rebecca Rubin Film and Media Reporter After years of declarations about the death of the romantic comedy, Sandra Bullock and Channing Tatum’s recent commercial hit “The Lost City” proved there’s still a place on the big screen for meet-cute stories. Now, comedian and actor Billy Eichner is taking a stab at the feel-good genre with “Bros,” an R-rated romantic comedy that opens in 3,300 North American theaters on Friday. The movie, from Universal Pictures, is aiming to generate $8 million to $10 million in its opening weekend. It’s not a huge number, but the film carries a modest $22 million production budget. “Bros” is debuting in theaters alongside Paramount’s R-rated chiller “Smile,” which is projected to cast a toothy glow over the domestic box office charts with $16 million to $20 million. That’s a stellar result given that it only cost the studio $17 million to make.

Nick Kroll is taking credit for the wildly dramatic press tour surrounding his new film, «The movie, if you haven't seen it yet, it's a thriller, and I think the less you know about the movie going in the better so that when you're watching it it's all new and surprising,» Kroll saaid on . «So I decided, 'Let's make a lot of buzz around the film but not about the film itself, right?'»In the film, Kroll plays the husband of director/actress Olivia Wilde's character.As Wilde and her cast have promoted the film in recent months, they've been plagued by drama surrounding everything from the project's early casting shakeups — with Harry Styles taking over for Shia LaBeouf -- to Wilde's high-profile split from her long-time partner, Jason Sudeikis, and subsequent romance with her new leading man, to an alleged falling out between Wilde and lead actress Florence Pugh.While the drama had largely been between Wilde, LaBeouf and Pugh, Styles and co-star Chris Pine were also dragged into the rumor mill over an alleged incident at the Venice Film Festival — dubbed#Spitgate by fans online.«I'm the puppeteer,» Kroll joked of the scandals. «I was like, 'Hey Harry, you know what would be a great idea? When you walk into the premiere at Venice, spit on Chris Pine.' And he was like, 'Got it,' but then he was like, 'I don't know if that's gonna work,'» Kroll teased.«Then I was like, 'Maybe you should just, you know, give me a kiss,'» he continued, «and then I asked him to spit in my mouth and he wouldn't do that. He's got boundaries.