Sean Penn Walks the Red Carpet with His Kids at 'Flag Day' Cannes Premiere

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Sean Penn, 60, had two special companions by his side at the Cannes Film Festival on Saturday, July 10. Sean’s daughter Dylan Penn, 30, and son Hopper Penn, 27, both of whom he shares with ex-wife Robin Wright, joined the Oscar-winning actor on the red carpet for the premiere of his new drama film Flag Day. Sean directs and stars in the film as John Vogel, a con man and bank robber. Dylan makes her feature film debut in the movie as Johns’ daughter, Jennifer Vogel, while Hopper plays her estranged sibling, Nick Vogel. The film arrives in theaters on Aug. 13 and also stars Katheryn Winnick, Eddie Marsan and Josh Brolin.

Sean Penn found directing himself "burdonsome". The 60-year-old actor has stepped behind the camera for 'Flag Day' and also stars in the film alongside his real-life children, Dylan and Hopper Penn, but he's admitted having two jobs to do on one project isn't something he's keen to repeat.

Sean Penn poses with his daughter, Dylan Penn, at the photo call for Flag Day during the 2021 Cannes Film Festival on Sunday (July 11) in Cannes, France.

Just a few days on the heels of “Stillwater,” another American entry in the Cannes Film Festival main competition section explores the complicated relationship between a father and daughter rooted in down-home Americana and close brushes with the law. “Flag Day” marks Sean Penn’s latest directorial return to Cannes since the critically-lambasted “The Last Face” from 2016.

(Corrects first paragraph to say Sunday, not Saturday)CANNES, France (Reuters) -Sean Penn said on Sunday he nearly passed up the chance to act opposite his daughter Dylan for the first time in "Flag Day", his latest movie which is vying for awards at the Cannes Film Festival - until actor Matt Damon egged him on. Oscar-winning Penn plays John Vogel, a real-life wheeler-dealer who lurched from one failed business venture to another, causing heartbreak for daughter Jennifer, who reveres him.

Sean Penn’s “Flag Day” PremieresSean Penn’s “Flag Day” premiered at the festival on Saturday, marking the third time he’s been in Main Competition section as a director — the other times for “The Pledge” in 2001 and “The Last Face” in 2016.TheWrap’s Steve Pond wrote, “While the film sometimes struggles with disparate tones, it’s a solid, subtle drama that opts in most cases for restraint over excess. It’s far closer to Penn’s more assured earlier works as a director – ‘The Indian Runner’ in 1991, ‘The Crossing Guard’ in 1995, ‘Into the Wild’ in 2007 – than to the missteps of ‘The Last Face.’”Others weren’t quite as kind.

Sean Penn is promoting his new film at the Cannes Film Festival, and used the opportunity to take a shot at the Trump administration’s botched response to the COVID-19 pandemic.

Donald Trump administration’s response to the coronavirus pandemic at Cannes today (July 11).Speaking at the press conference for his latest directorial feature, Flag Dag, Penn said watching Trump’s “obscene administration” handle the crisis “really felt like someone with a machine gun gunning down people from a turret in the White House” (per The Hollywood Reporter).The actor added that he felt there was “no effort or integrity from the government until the Trump administration was dismissed.”Penn has been a longtime critic of the former President of the United States, who was defeated in the 2020 presidential election by Joe Biden, despite repeated false claims of widespread voter fraud from Trump.The Milk star also set up a free Malibu

During a press conference for his Cannes Competition film Flag Day, actor-director Sean Penn took aim at former president Donald Trump after being questioned about own humanitarian efforts during the ongoing pandemic — on his own dime, and under the banner of his Core (Community Organized Relief Effort) project, Penn has been responsible for bringing much-needed testing and vaccinations to deprived areas in major U.S. cities.

Matt Donnelly Senior Film WriterIn the midst of debuting a new movie at the first pandemic-era Cannes Film Festival, director Sean Penn had strong words about the Trump administration’s handling of the global health crisis.The longtime artist and activist — who donned a mask when not speaking at a Sunday press conference — discussed the past year he’s devoted to COVID-19 testing and vaccinations in underserved communities.“We were — not only as a country, but as a world – let down and openly neglected, misinformed.

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Sean Penn made the screening at the Cannes Film Festival on Saturday a family affair. The actor posed on the red carpet with both his 30-year-old daughter, Dylan, and his 27-year-old son, Hopper.Penn, 60, both directed and stars in, and his real-life kids appear in the film as his character's children.

Dir: Sean Penn; Starring: Dylan Penn, Sean Penn, Katheryn Winnick, Josh Brolin, Dale Dickey, Jadyn Rylee, Eddie Marsan. Cert tbc, 108 mins. Is Sean Penn’s new film a fond tribute from a father to his daughter, or just the Hollywood version of Take Your Child to Work Day? The intentions are as flatteringly fuzzy as the glowing 1970s-style camerawork in this adaptation of the American journalist Jennifer Vogel’s memoir Flim-Flam Man, about her strained relationship with her father John, an inveterate crook who makes forays into bank robbery, arson and counterfeiting.

Owen Gleiberman Chief Film CriticAs a filmmaker, Sean Penn has always had a flinty integrity, but the movies he directs work so hard to channel the values of ’70s films — they’re moody and fatalistic, with furrowed brows, and move at a pace of drop-dead deliberation — that early on, in the days of “The Indian Runner” (1991) and “The Crossing Guard” (1995), you could just about feel the sweat of his downbeat virtue. I think that changed when Penn made “Into the Wild” (2007), a film as dark as any other film in his desolation row (it was about a young man withdrawing from the world — mind, body, and soul), but it was directed with an open-eyed adventure and skill that turned it enthralling.

Sean Penn looked like he was about to cry at the Saturday night premiere of “Flag Day.”The drama earned a four-minute standing ovation broken up by remarks from Penn, praising his daughter, Dylan Frances Penn, for her debut lead role in a movie.Penn takes on double duties in the film, as both director and actor, playing John Vogel, a real life bank robber and con artist. The character’s birthday falls on June 14, thus inspiring the film’s title.Dylan plays his daughter Jennifer, an aspiring journalist who struggles with her fractured relationship with her family.“To this cast, this crew, this audience and, in particular, this daughter — thank you,” Penn said.

Director Sean Penn returns to the Cannes Film Festival today in the official competition with the first film he has ever directed in which he also stars.

Manori Ravindran International EditorMost U.K. sales agents sent slimmed-down teams — or none at all — to Cannes this year, but Rocket Science CEO Thorsten Schumacher had no qualms about getting back to business as usual on the Croisette.Rocket Science has two films in the festival: Sean Penn-directed competition title “Flag Day” and Eva Husson’s “Mothering Sunday,” starring Josh O’Connor and Odessa Young.

The son of actor/director Leo Penn and actress Eileen Ryan, Sean Penn will be keeping up the family tradition this year at Cannes when he premieres Flag Day in Competition. Based on her 2004 memoir, the film follows Jennifer Vogel’s personal story of idolizing her bank robber and conman father. Penn directs and plays the dad character, while—in a startling breakout turn—his daughter Dylan stars as Jennifer, and his son Hopper plays her brother. Flag Day comes after Penn dedicated the past year to the distribution of Covid-19 tests and vaccines through CORE (Community Organized Relief Effort), a humanitarian project he founded in 2010 following the Haiti earthquake tragedy. This will be his 11th appearance in Cannes.

The new music documentary, “The Sound Of Us”, will be honoured with the Movie That Matters award during the Better World Fund Gala at the 2021 Cannes Film Festival. The award recognizes the urgency, inspiration and change-making impact of the timely film.

Conan O’Brien and Sean Penn opened up about cancel culture doing a sort of informal cost-benefit-analysis on what it means for actors telling the important stories of our time.  O’Brien, who recently wrapped up his time as a late-night talk show host after almost three decades on two networks, had Penn on his podcast, "Conan O’Brien Needs a Friend," where the duo’s chat led them to discuss cancel culture and the public’s somewhat new tendency to write off potentially promising people over past comments.  "I’ve always described myself, I think I’m a 52% optimist," O’Brien explained.

Sean Penn’s “Flag Day,” Leos Carax’s “Annette,” starring Adam Driver and Marion Cotillard, and Wes Anderson’s “The French Dispatch,” with Frances McDormand and Timothée Chalamet, will provide star power at a 2021 Cannes Festival packed to overflowing with established and very often new European and world cinema arthouse talent.The festival films will also drive much of Cannes’ business. Cannes’ business behemoth, a pre-sales market unveiling big indie projects — such as this year’s $60 million Vin Diesel vehicle “Muscle” — took place June 21-25 at the virtual Pre-Cannes Screenings.“In some ways, Cannes this year has the opportunity to be the purest form of itself,” said Dylan Leiner at Sony Pictures Classics.