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‘Pose’ and ‘Lovecraft Country’ Bosses Break Down ‘Decentralizing White Men’ in Their Narratives

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variety.com

Danielle Turchiano Senior Features Editor, TVBack when Steven Canals was working on the first season of “Pose,” he and Misha Green had a conversation at a bar about the importance of using their voices as storytellers to make material for their communities.“Pose,” now wrapping up its third and final season, is an example of that, as Canals centered LGBTQIA+ characters of color in a narrative about the complexities of living amid the HIV/AIDS epidemic in 1990s New York City.

And Green proved she takes her own advice with the genre-blending first season “Lovecraft Country,” which followed Black characters fighting against supernatural entities and American racism.Variety brought Canals and Green together to discuss their approach to these.

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