Marcus Mumford: Celebs Rumors

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Lucius Signs With Fantasy, Will Release Re-Recorded Version of Seminal ‘Wildewoman’ Allbum

Chris Willman Senior Music Writer and Chief Music Critic Lucius has signed with Fantasy Records for future album releases, including the first to come down the chute in the deal, an all-new re-recording of the group’s seminal “Wildewoman” album. Set for release May 31, “Wildewoman (The New Recording)” will include 12-13 freshly recorded tracks, including songs with featured appearances by Brandi Carlile, Marcus Mumford and Devon Gilfillian.
variety.com

All news where Marcus Mumford is mentioned

variety.com
Marcus Mumford on Performing for Joni Mitchell’s PBS Special — and Why He Thinks She’s Singing Better Than Ever in 2023
Chris Willman Senior Music Writer and Chief Music Critic When an all-star cast of musicians came together to rehearse their salute to Joni Mitchell for a Washington, D.C. tribute concert in February, in honor of her being the latest annual recipient of the Gershwin Prize for songwriting, executive producer Ken Ehrlich had an early epiphany about where Marcus Mumford’s cover of “Carey” should go. “During the rehearsal, it was obvious to me: that was the opening number.” As you watch the remainder of “Joni Mitchell: The Library of Congress Gershwin Prize for Popular Song,” though — as it premieres on PBS tonight, and is available thereafter for streaming on PBS.org and the PBS app — you won’t see Mumford disappearing from the stage for very many extended periods. Mumford has been part of the parties at Mitchell’s home the last couple of years, and participated in the “Joni jam” at the Newport Folk Festival last summer, so he is well familiar with her and her catalog at this point. And so, as Ehrlich explains it, “When I reached out to him, it probably wasn’t a half hour before he got back to me and said, ‘Of course I’d love to do this.’ And then he quickly followed with: ‘Can I play with the band?’ And he became the resident percussionist, which I didn’t have.
nypost.com
Joni Mitchell is playing one show in 2023. Here’s how to get tickets
Joni Mitchell toured was all the way back in 2000.Over 20 years later, the Rock and Roll Hall of Famer returned to live music for a handful of performances in 2022 and 2023.However, her biggest show is yet to come.On June 10, Mitchell will headline one night of Brandi Carlile’s ‘Echoes Through The Canyons’ concerts at the Gorge Amphitheater in George, WA.She’ll be joined by Carlile and her band The Joni Jam on the special evening.Who is the “Joni Jam?”Well, last time it consisted of Carlile, Wynnona Judd, Marcus Mumford, Lucius and more.Want to know who will be playing with her at the Gorge Amphitheater?We do too.As of now, all we know is the best way to find out who’s performing with Mitchell this year is live.And if you need tickets to this unique event, you’re in luck.They’re still available.At the time of publication, the lowest price we could find on tickets for the one-off was on Vivid Seats for $205 before fees.If you’re also a huge Brandi Carlile fan, you may want to make this a two-day trip.Carlile is set to headline on June 9 with yet to be announced special guests.Two-day passes start at $328 before fees.All prices are subject to fluctuation.Last summer, Mitchell surprised audiences when she took the stage at the Newport Folk Festival at Fort Adams State Park in Newport, RI, USA.Over the course of her set, Mitchell played 13 songs and was joined by a number of stars.For a closer look, you can check out the songs she performed below, courtesy of Set List FM.01.) “Carey” (with Brandi Carlile)02.) “Come in From the Cold” (with Taylor Goldsmith)03.) “Help Me” (with Celisse Henderson)04.) “A Case of You” (with Marcus Mumford and Brandi Carlile)05.) “Big Yellow Taxi” (with Brandi Carlile)06.) “Just Like This Train”
etonline.com
'Daisy Jones & The Six' Cast Reveals Bob Dylan Visited Their Recording Studio (Exclusive)
may tell the story of a fictional band, but they're rubbing shoulders with some very real musical influences. The cast of Amazon's upcoming adaptation of the ultra-popular novel told ET's Nischelle Turner that Bob Dylan paid a visit to their recording studio. «It was insane,» Suki Waterhouse, who plays band member Karen, said of the experience. «He had a tour bus outside of Sound City.»Sound City is the iconic Los Angeles recording studio where the cast recorded the album on which the book focuses. Blake Mills, producer of the show's soundtrack, has also previously worked with Dylan. Author Taylor Jenkins Reid wrote many of 's lyrics for the book, but the show will now bring the fictional music to life. Camila Morrone, who plays Camila, wife of band leader Billy, added that the cast tried to stay focused on their own work despite being utterly starstruck. «When Bob Dylan's making music you just let him do his thing,» she said with a chuckle.«We tried to stay out of his way,» Waterhouse agreed.Though the Bob Dylan sighting may have been more a moment in passing, the cast certainly had their fair share of epic artistic run-ins while in production. Mills recruited a group of music legends to adapt Reid's and the finished project boasts co-writing credits from Marcus Mumford, Phoebe Bridgers and Jackson Browne.Tony Berg, a frequent collaborator of Bridgers, also provided additional support and the album features instrumental work from David Bowie, Elton John, Pearl Jam, Jeff Beck, Rilo Kiley, The Who, Nine Inch Nails and The Wallflowers. Riley Keough, granddaughter of Elvis Presley, plays Daisy Jones.
nme.com
Watch Marcus Mumford and Ben Lovett perform two songs together live in the US
Marcus Mumford‘s solo tour featured a performance with his Mumford & Sons bandmate Ben Lovett at The Midland Theatre in Kansas City last night (October 18) – watch footage of the show above.After travelling out to the show, Lovett got on stage to perform the band’s singles ‘I Will Wait’ and ‘Ditmas’, taken from their 2012 album ‘Babel’ and 2015’s ‘Wilder Mind’ respectively.Marcus Mumford is scheduled to embark on a UK and Ireland headline tour in November – you can find any remaining tickets here and see the full list of dates below. It’ll follow his current run of North American concerts – you can buy any remaining tickets here.NOVEMBER 202214 – Leadmill, Sheffield15 – 02 Shepherds Bush Empire, London18 – The Nick Rayns LCR, UEA, Norwich19 – 02 Institute 1, Birmingham20 – Uni Great Hall, Exeter22 – Marble Factory, Bristol23 – Albert Hall, Manchester24 – Invisible Wind Factory, Liverpool26 – SWG3 Galvanisers, Glasgow28 – Olympia, DublinThe singer previously performed the single ‘Grace’, taken from his new album, on The Late Late Show With James Corden earlier this month (October 1).In an interview about the album with NME, Mumford spoke of how ‘Grace’ was written about the moment he told his mother of the sexual abuse he experienced as a child, which is explored on debut single and album opener ‘Cannibal’.Reviewing ‘(self-titled)’ upon its release in September, NME wrote: “While it is undoubtedly an emotional and often heart-breaking listen, it’s also a record full of defiance, hope and faith.
variety.com
Marcus Mumford on Making the Year’s Boldest Album, Collaborating With Steven Spielberg and Brandi Carlile, and the Future of Mumford and Sons
Marcus Mumford released “Cannibal,” the lead-off song for his first solo album, he was very much declaring a different set of lyrical as well as musical intentions. But for most of the press and public, the focus immediately got put on peripheral matters. Like: Did the existence of a solo project mean Mumford and Sons were breaking up? Had tension over one of the band members leaving last year amid controversy forced a fissure in the group? And then, on the lighter side, hey, how about that Steven Spielberg clip for “Cannibal,” the first music video the filmmaker had ever done? All good, reasonable questions… and all of them burying the lead, as it were. But when Brandi Carlile, who co-wrote and sings on the new album’s final track, “How,” publicly praised him for his bravery and described the album — “Self-Titled” — as “a trust fall,” something more seemed to be afoot than the very modest amount of courage it might take for a star frontman to go solo. And then Mumford went public in confirming what fans who’d listened carefully to “Cannibal” had already figured out: that it was a song addressing someone who sexually abused him in his childhood. The rest of “Self-Titled,” which arrives this weekend, is not so strictly focused on that particular trauma as “Cannibal” and “How” are, but they all touch on points in a lifelong series of reconciliations that will strike deep chords in any listeners who may be on the same journey from horror to healing.
DMCA