'Only Murders In The Building' Explains Oscar's Absence In Season 2

Casemiro has not yet enjoyed the game time many had expected him to upon his arrival at Manchester United following his £60m transfer from Real Madrid.

An Emmy nominated, out gay New York-based Meteorologist and TV presenter, Erick Adame, said he was fired from his “dream job”, after someone took screenshots of him performing on an adult cam website and sent it to his mother and employer. Adame, who has over over 15 years broadcast journalism experience, was the resident weatherman on the ‘Mornings On 1′ show on weekdays on Spectrum News’ NY1 channel since 2017. He was part of the NY1 team that was nominated twice for the Emmys for their coverage of Hurricane Ida and Tropical Storm Isaias. “Despite being a public figure and being on television in the biggest market in the country in front of millions of people five days a week for more than a decade and a half, I secretly appeared on an adult webcam website,” Adame revealed to his social media followers. “On this site, I acted out my compulsive behaviors, while at home, by performing on camera for other men.

Pablo Sandoval Selected for main competition, “Pornomelancolía” premiered at San Sebastián over the festival’s first weekend. A Latin American buzz title at the festival last year when it played in pix-in-post section WIP Latam, “Pornomelancolía” opens a window onto the behind-the-scenes life of a porn influencer, Lalo. But, Argentine director Manuel Abramovich – who won the 2019 Silver Bear at Berlin with his short film “Blue Boy” – told Variety, “Pornomelancolía is not a film about pornography, it is a film about how we face the gaze of others.” “Pornomelancolía” was formed as part of 2018’s Ikusmira Berriak, a residency program in San Sebastian which is one of Spain’s foremost development labs. The film is lead produced by Gema Films in Argentina, with Brazil’s Desvia Filmes, Bordeaux-based Dublin Films and Mexico’s Marthfilms. Luxbox handles international sales; Filmin will handle distribution in Spain.

Liza Foreman Backing a film in which Johnny Depp will play French King Louis XV is what Wild Bunch International head Vincent Maraval describes as part of the risk taking that is essential to this business. In a keynote interview with CAA Media Finance’s Roeg Sutherland at San Sebastian’s first Creative Investors Conference on Monday, Maraval discussed his 23 years in the business – failing to bet on “Black Swan,” but going for it with Depp’s first film since the Amber Heard trial.  “The film [“Jeanne du Barry”] is that sometimes we need to take a risk, and this risk is much higher,” said Maraval. “We are doing Johnny Depp playing Louis XV. People said don’t do a movie with him, but we liked it. I remember the discussion we had with the producer behind it who said: ‘Do you think we are doing something stupid?’ I said: ‘Probably, but what’s left if not?”

Clayton Davis There’s no denying Olivia Wilde can direct the hell out of a movie. And with her latest behind-the-camera effort, “Don’t Worry Darling,” the actress turned filmmaker constructs a sexy and suspenseful thriller. It’s a film that should resonate with moviegoers, who may show up to check out an easy-on-the-eyes ensemble that includes Florence Pugh, Harry Styles and Chris Pine. At the very least, it’s a film that will continue to generate plenty of chatter (there’s already a ton of pre-release headlines being made, some of them even about the movie itself). However, like most popcorn thrillers, the chances of the Academy checking the film off on their ballots is as farfetched as the movie’s attempt to make Harry Styles look unattractive in one critical scene. Nice try but I don’t buy it.

EXCLUSIVE: Oscar-winning star Mark Rylance and his wife Claire van Kampen, a playwright, composer and director, have teamed with Steven Spielberg and his Amblin Entertainment on a TV project, the actor revealed to Deadline.

Clayton Davis Roughly a year ago, Kenneth Branagh’s “Belfast,” launched out of Telluride, and there was something about that film’s emotional expansiveness and the irresistible pull of its unapologetic nostalgia that made it clear it was going to be a force to be reckoned with at the Oscars. I got the same sense watching Sam Mendes’ “Empire of Light” at its Telluride premiere this past weekend. It has a similar open heartedness even if the setting for the movie is an English seaside town and not the war-torn streets of Northern Ireland. Cinema seeps through “Empire of Light.” Mendes’ latest doesn’t just swoon for the images that flicker across screens; it also pays tribute to the physical buildings that house our most cherished artform and the sense of escapism that gets triggered every time you sit down in one of those palaces. If you are a movie lover, it’s hard to resist “Empire of Light’s” charm and stylized beauty.

As the 49th Annual Telluride Film Festival comes to a close on this Labor Day holiday, it once again could be a fest that ignites the Oscar chances of a number of films that have either had their World Premieres or North American Premieres this weekend. As part of the so-called Fall Festival Trifecta of Venice/Telluride/Toronto (the latter beginning this Thursday), this is where the six month+ awards season officially starts, even if the even longer Emmy season doesn’t conclude until a week from today.

Clayton Davis “Tár” is a musical, but not in the way you might think. Set to a rhythmic beat of classical orchestration, writer and director Todd Field triumphantly returns to the director’s chair some 16 years after “Little Children” (2006) and 21 years after his debut “In the Bedroom” (2001). In the process, Field proves the third time is the charm and “Tár,” which screened at Venice and Telluride, has emerged as a major Oscar contender. At the forefront of this epic drama is another fiery and near perfect turn from Cate Blanchett, who is poised to earn her eighth acting Oscar nomination and could even nab a potential third statuette.

Clayton Davis If Colin Farrell doesn’t get an Oscar nom this year for “The Banshees of Inisherin,” he never will. That was all I could think after watching his work in Martin McDonagh’s latest dark comedy. And who would have thought that Farrell and Brendan Gleeson would become the perfect comedic duo of our day? I thought the pair’s magic in “In Bruges” (2008) was a one-hit wonder, but with “The Banshees of Inisherin,” the two men have recaptured their old alchemy. The latest pitch black romp from “Three Billboards outside Ebbing, Missouri” director and scribe McDonagh harnesses the simplest premise in recent memory: a man tries to understand why his best friend doesn’t want to talk to him anymore. What unfolds within that premise are moral complexities and refreshing takes on love and forgiveness.

Clayton Davis Could Sarah Polley join the ranks of Jane Campion, Chloe Zhao and Kathryn Bigelow by becoming only the fourth female filmmaker to win an Oscar for directing? Based on the rapturous reception that “Women Talking” received at the Telluride Film Festival on Friday, it certainly seems possible. Even if that doesn’t happen, the ambitious film, a drama about a group of women in a tight-knit religious community grappling with a legacy of abuse, has put a stake in the ground as the festival’s first slam dunk best picture candidate. In fact, I think it’s going to be a contender across the board. In a Telluride lineup that is heavy on documentaries and Cannes titles, Polley’s film is one of only four World Premieres for narrative features. But what a launching pad Telluride is shaping up to be for the film and its director, a critical favorite for her work in front of the camera in “The Sweet Hereafter” and behind with the likes of “Away From Her.” The premiere for “Women Talking” kicked off with a tribute to Polley, who was presented with the Silver Medallion by Frances McDormand, who produced and stars in “Women Talking.”

infamous Oscar slap, and he did not hold back.“Will did the impression of a perfect person for 30 years, and he ripped his mask off and showed us he was as ugly as the rest of us,” Rock said during his set in Liverpool’s M&S Arenon on Thursday. However, Rock found that Smith’s Oscar-night act of violence made him more relatable. “Whatever the consequences are… I hope he doesn’t put his mask back on again, and lets his real face breathe.

Cate Blanchett steps out in two chic looks at the 2022 Venice Film Festival.

Venice Film Festival officially kicked off the fall Oscar race on Thursday afternoon with Todd Field’s “Tár,” a drama starring Cate Blanchett as a famous composer embroiled in a public scandal. The film was showered with an ecstatic six-minute standing ovation as the crowds at the Sala Grande Theatre kept chanting “Bravo!“ even surprising Blanchett at times.As Venice chief Alberto Barbera took her hand, Blanchett bowed — but the clapping went on. When the applause finally ended, a misty-eyed Blanchett turned to someone on her team and said: “Let’s get a drink.”Surely, Blanchett’s work in “Tár” will be one of the most toasted performances of Oscar season. The rave reviews for the film all but guarantee the actor, who has two Academy Awards acting wins, will land her eight Oscar acting nomination this winter.

Clayton Davis Jennifer Fox, the Oscar nominated producer of “Michael Clayton” (2007), has been tapped to produce the 13th Governors Awards for the Academy of Motion Picture Arts and Sciences. Marking her fourth time producing the event, Fox will assemble the annual ceremony where Euzhan Palcy, Diane Warren and Peter Weir will receive Honorary Oscars and Michael J. Fox will accept the Jean Hersholt Humanitarian Award. “We’re thrilled to have Jennifer back at the helm to help us kick off Oscar season with a tribute fitting to these four extraordinary individuals,” says Janet Yang, Academy President. “Her contribution in past years has only elevated this truly special and joyous event.”

is going to arrive in force, isn’t it?Please?That’s the feeling in the community I like to think of as Hollywood’s Kudo-Industrial Complex. That community limped through one year, 2020, in which theaters were closed, film festivals were canceled or moved online and almost all the shows were virtual; and a second year, 2021, that started out to be a cautiously muted season but was then blindsided by a COVID resurgence that forced a return to streaming and virtual events.Now, as the Venice Film Festival begins on Wednesday, followed by the three-day Telluride Film Festival on Friday and then the mammoth Toronto International Film Festival next Thursday, there’s a palpable yearning for things to return to normal.

Brent Lang Executive Editor of Film and Media After Warner Bros. executives signed off on the risky decision to bankroll their $90 million look at the life of Elvis Presley with a little-known actor portraying the hip-swinging rocker, producer Gail Berman reached for her phone. She wanted to immortalize the moment for Austin Butler, the man who reportedly beat out the likes of Ansel Elgort and Miles Teller to land the kind of role that can make a career. “I needed to take a photo of all these people sitting around after they made a decision that was going to mark a major change in Austin’s life,” says Berman. “It was wonderful that they saw from his screen test just how good he was, and that they were ready to support him on this journey.”

Poland has selected Jerzy Skolimowski’s Cannes-winning title EO as its official submission to the International Oscar race this year.

Ralph Eggleston, a longtime animator and art director who worked on several Pixar films starting with Toy Story and won an Oscar for directing the animated short For the Birds, died Sunday of pancreatic cancer in Lake Charles, LA, Pixar announced. He was 56.

Film Independent Spirit Awards recently introduced: “We are conducting due diligence … to see what that could look like, but there’s no plan right now to activate that.” • He noted how AMPAS’ finances had changed by the $40 million he said the Academy Museum has brought in over the last year: “The Academy Award and all of the contracts that surround the Oscars show used to bring in about 95% of our annual income before we opened the museum and created a very robust advancement department tasked with bringing in diversified streams of revenue,” he said. “All the contracts around the Academy Awards now bring in 70% of our income.” • He also sidestepped a question about whether the next Oscars show would address “the slap,” the shocking moment on this year’s show in which Will Smith walked onto the stage and slapped host Chris Rock over a joke Rock told about Smith’s wife, Jada Pinkett Smith.

Nick Vivarelli International Correspondent The Venice Film Festival once again looks like the place to launch the heavy hitters of awards season. As the world’s oldest film festival —unspooling on the island of Lido —  celebrates its 90th year, it serves up a dazzling display of goods and stars, starting from its opener, Noah Baumbach’s black comedy “White Noise” — with Adam Driver, Greta Gerwig and Jodie Turner-Smith expected on the red carpet — to an impressive array of arthouse auteurs screening their latest. Assembling the 2022 Venice lineup has been a long and complicated process for festival topper Alberto Barbera and his team. They started viewing submissions in November, several months earlier than usual, so in some cases they had to take the plunge without knowing what else would become available by showtime. The Venice selection process was further hampered by the ongoing pandemic, which continues to disrupt delivery dates and distribution schedules. “I admit that it’s been the most challenging year,” Barbera says. 

Clayton Davis It’s late summer, so it’s time to start talking about awards season. Cannes issued the first slate of contenders in the international feature Oscar race, and now Venice and Toronto are ready to screen another batch, which begs the question: What looks like the breakout pics from the festival circuit that should contend for kudos? More than 90 countries have been submitting films for Academy consideration for the past few years, in order to walk away with the coveted best international feature Oscar. Coming off the Cinderella story of Japan’s “Drive My Car” from Ryûsuke Hamaguchi, which was also nominated for three other Oscars including best picture, it became the tenth film to be recognized for both best picture and international feature.

Making history. Nathan Lane just broke a major record for the Primetime Emmy Awards – and it’s all thanks to his work as Teddy Dimas on Only Murders in the Building.

Paul Rudd is checking in to for the upcoming season! According to, the actor has officially joined the cast of the Hulu mystery-comedy for season 3, after making a surprise appearance in the season 2 finale.“Paul Rudd, after making an auspicious entrance into the world of our show at the end of season 2 as Ben Glenroy, is someone we clearly want to know more about and see in our upcoming season 3 — as he is a clear source of many upcoming questions and, as ever with our show, many twists yet to come!” co-creator John Hoffman said in a statement to .After the show's central trio — Charles-Haden Savage (Steve Martin), Oliver Putnam (Martin Short), and Mabel Mora (Selena Gomez) — solved their second murder in as many years, the last moments of the finale flashed forward a year to opening night of Oliver's triumphant directorial return to Broadway. With Mabel in the audience to support her friends, and Charles-Haden taking the stage as one of the stars, Oliver first had some fires to put out with his leading man, Ben Glenroy (Rudd).Ben insinuated that he and Charles-Haden had been feuding over the course of the production so far, and even went so far as to threaten, «I just might [kill him], I'm warning you.»The pair exchanged tense words as they took the stage together, with Charles-Haden cautioning ominously, «Be smart, stay away from her… I know what you did.» Ultimately, Ben's rage didn't amount to much more than a new mystery, as he dropped dead on stage in the show's opening moments, leaving the central trio in disbelief that murders don't  happen in the building at the Arconia.«Season 3 is set up,» Martin shared with ET of the  to come.

SPOILER ALERT: THE FOLLOWING REVEALS MAJOR PLOT POINTS FROM HULU’S ONLY MURDERS IN THE BUILDING SEASON 2 FINALE.

Joseph Kosinski is exceptionally humble about “Top Gun: Maverick.” Paramount’s action-packed blockbuster, featuring Tom Cruise’s return to the skies 36 years after the original film, has become an unexpected sensation, bringing audiences young and old back to the big screen at a time when theaters are in desperate need of a win. In the process, “Maverick” has racked up an eye-popping $1.4 billion globally to stand as the highest-grossing movie of the year. Nobody has been more surprised by its success than Kosinski. “I don’t know if I’ve wrapped my head around it. I’m amazed every day that it continues to play,” he says. The film, available on home entertainment on Aug. 23 at a premium price, has remained in the top five on domestic box office charts for 12 of its 13 weeks of release.

Spoiler alert: This article discusses the Season 2 finale of “Only Murders in the Building” — “I Know Who Did It.”The goal was always to hand back the investigation of Bunny Folger’s murder to the Arconia trio of Charles (Steve Martin), Oliver (Martin Short) and Mabel (Selena Gomez), according to “Only Murders in the Building” showrunner John Hoffman. After the disorientation of the season, which saw them all publicly implicated in the former board president’s killing, the executive producer and co-creator’s aim was to restore agency to the spun-around group.“’Go get ‘em once you know how to do it,’ — the notion is to hand it to them in a way that they would present their case enough to unravel and ensnare the actual killer in their own fashion,” Hoffman told TheWrap in a postmortem interview about the Hulu show.

SPOILER ALERT: The following reveals major plot points from Hulu’s Only Murders in the Building Season 2 finale.

Selome Hailu Paul Rudd has joined the cast of “Only Murders in the Building.”Hulu confirmed to Variety that he will star in the show’s third season after making a cameo as Broadway star Ben Glenroy in Season 2 finale “I Know Who Did It.” It has not yet been announced whether Rudd will appear in a series regular, recurring or guest capacity.“Paul Rudd, after making an auspicious entrance into the world of our show at the end of Season 2 as Ben Glenroy, is someone we clearly want to know more about and see in our upcoming Season 3 — as he is a clear source of many upcoming questions and, as ever with our show, many twists yet to come!” series co-creator John Hoffman said in a statement to Variety.

Paul Rudd has officially joined the cast of Only Murders in the Building for the show’s upcoming third season!

Warning: This story contains spoilers about the plot of Only Murders in the Building season 2.

Compton-based filmmaker Victor Gabriel is among a select group of filmmakers to punch their ticket for the Oscar race, after scoring wins at the HollyShorts Film Festival.

Sheree Zampino is standing in support with ex-husband, Will Smith.

A column chronicling conversations and events on the awards circuit.

Zack Sharf Sacheen Littlefeather dominated headlines this week after the Academy of Motion Picture Arts and Sciences issued a formal apology to her for the mistreatment she faced at the 1973 Oscars. Littlefeather, who was 26 years old at the ceremony, took to the stage on behalf of Marlon Brando, who was named best actor for “The Godfather,” and declined the award for him.

Angelique Jackson Academy Award winner Ariana DeBose, who delivered a star-making performance as Anita in Steven Spielberg’s “West Side Story,” has nabbed her next leading role — and it’s a far-cry from the musical fare audiences have become accustomed to.DeBose will star in “House of Spoils” a new psychological thriller for Amazon Studios and Blumhouse Television, written and directed by “Blow the Man Down” filmmakers Bridget Savage Cole and Danielle Krudy, based on their original idea.The film follows an ambitious chef (DeBose) who opens her first restaurant — a farm-to-table affair on a remote estate — where she battles kitchen chaos, a dubious investor and crushing self doubt. But the pressure heats up thanks to the powerful spirit of the estate’s previous owner who threatens to sabotage her at every turn.