Clayton Davis Steven Yeun sees a void in cinemas and it’s what is defined as “American” or “Asian,” leaving this space he hopes to occupy. “We wanted to profess that this is an Asian American story,” says Yeun about his new film “Minari.” “It is American but we don’t have that space of understanding carved out in society yet on what an Asian American story feels and sounds like.”In this week’s Awards Circuit Podcast, Yeun talks about getting involved with Lee Isaac Chung’s moving portrait of a family living in Arkansas, working with his dynamic cast and what he hopes it does for representation.
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