A.D. Amorosi For one of New York City’s first major theater events in 16 months, eager audiences cannot do better than reveling in the natural splendors of Central Park’s Delacorte Theater for the gleeful, spiritualized, comical Shakespeare re-do “Merry Wives.” Beyond the re-ignition of the Public Theater’s Free Shakespeare in the Park and the novelty of welcoming back crowds to what was supposed to be a post-pandemic setting (thanks, delta variant, for making sure we mask up in August humidity), “Merry Wives” is a genuine marvel: a smartly clever clash of cultures, changing attitudes, and all the rich ways in which West African immigrants have made South Harlem their home.
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