Jessica Kiang Seven years after Gia Coppola turned a dreamily sympathetic eye on the pretty, youthful wasters of her high-school-set debut “Palo Alto,” she returns with “Mainstream,” packing a far smaller store of compassion and a lot less insight into the next micro-life-stage of telegenic wasted youth.
A brittle, exasperated satire on social media celebrity, her sophomore film, like the tacky messiah it creates in Andrew Garfield’s YouTube sensation, soon becomes the very thing it sets out to expose: a glittery, jangly image machine that manufactures little of actual substance, except the conclusion that social media = bad.
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