Chris Willman Music WriterNetflix’s epic Kanye West documentary, “Jeen-yuhs: A Kanye Trilogy,” will unfold in three feature-length parts, as the subtitle promises. (The first part premiered Sunday in the Sundance Film Festival, and gets a one-night theatrical release Feb.
10; the whole thing will unspool on successive Wednesdays on Netflix, starting Feb. 16.) But however the filmmakers carve up the 277-minute running time, the way they’ve encapsulated West’s story really boils down to a two-act narrative: rags to riches followed by, of course, riches to rumpuses.
Is your preferred archetype of Kanye the hungry, deeply focused, self-made scrapper who showed everybody? Or the openly bipolar billionaire whose run for president felt more like a box to check on a list of Ultimate Hubris moments than anything even half-seriously intended?
Both Kanyes are on view in “Jeen-yuhs,” with a story that necessarily comes off deeply bifurcated, given that a plot is something West would seem to have lost along the way.
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