Call it a faith-based tearjerker, and you won’t be far off the mark. Still, that blunt-spoken description of “I Still Believe” should be taken as not so much a dismissal of its unabashed sentimentality as an honest appraisal of the film’s potential to deeply affect its target audience.
Directors Andrew Erwin and Jon Erwin, the sibling filmmakers collectively billed as the Erwin Brothers, have proven quite adept at neatly balancing involving drama and spiritual uplift in such previous efforts as “October Baby,” “Woodlawn” and their crossover box-office hit “I Can Only Imagine.” Here, they amp the emotional power — subtly at first, then gradually more aggressively — with a “Love Story”-style scenario that is all the more potent for being
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