Rodney Ascher’s computer-haunted documentary “A Glitch in the Matrix” is not the most insightful recent examination of boredom-born foggy Internet delusions.
That honor likely goes to Arthur Jones’ antic “Feels Good Man.” Still, Ascher’s appropriately discombobulating stew of queasiness, comedy, and terror seems well-cued to the subject matter, even while missing a certain editorial sharpness that might have brought some of its notions into greater clarity.
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