British outré filmmaker Peter Strickland is stuck in the past in the very best sense of the phrase. Whether he’s making eerie, giallo throwback pictures (“Berberian Sound Studio”), psychedelic softcore fetish control movies (“The Duke Of Burgundy”), or strange, bizarre horrors that are a mix of English kitchen-sink realism and ghoulish creepiness (“In Fabric”), Strickland is always creating some kind of vintage, throwback picture with heavy nods to the ‘60s and ‘70s of erotic, kink, strange, and left-of-center cinema.
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