Manuel Betancourt The highest compliment one can pay Jennifer Kaytin Robinson’s viciously delectable “Do Revenge” is that it should stand alongside the many iconic teen flicks it both cribs from and pays homage to.
The premise, which follows two teenage girls opting to seek revenge on one another’s rivals sounds, upon first inspection, like “Strangers on a Train” at a posh private school.
But that’s too simplistic a take. After all, Robinson’s project owes less to Hitchock’s infamous classic than to the likes of “Heathers,” “Mean Girls” and “Cruel Intentions” — influences the film wears proudly on its stylish and appropriately throwbacky Y2K-era sleeves.
You can see why Robinson (“Someone Great”) and co-writer Celeste Ballard (“Space Jam: A New Legacy”) would want to take up Patricia Highsmith-via-Hitchcock’s narrative and ensnare it in the world of petty high school politics.
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