Guy Lodge Film CriticA few minutes before the end of “Digger,” first-time feature director Georgis Grigorakis arrives at a closing shot for the ages: an ambiguous, breath-halting ellipsis that distills all the film’s themes of dueling familial, economical and community values into one spooky, funny man-versus-machine tableau.
Except, as it turns out, it’s not the closing shot, as “Digger” continues into a needless bow-tying epilogue that double-underlines points the film has already made elegantly clear.A little like the clashing men at its center — an estranged father and son fighting for family land in an absurd, escalating war of physical and emotional attrition — Grigorakis doesn’t exactly know when to quit.
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