A versatile filmmaker, who has moved from the world of celebrated Sundance moral dilemma indies like “Compliance” and “Z for Zachariah” into mainstream films, director Craig Zobel has shown an aptitude for shaping his filmmaking style towards the material.
2020‘s “The Hunt” was a big provocative satirical thriller, and it went for broke, but in his TV work (“The Leftovers,” “Westworld”), he really showed an affinity for balancing genre with the emotional human element.
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