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Roy Cohn
‘Bully. Coward. Victim. The Story of Roy Cohn’ Film Review: 2019’s Second Cohn Documentary Flails in Too Many Directions
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thewrap.comWatch Video: 'Where's My Roy Cohn?' Director Explains How McCarthy's Counsel and Trump Are 'Cut From the Same Cloth'It is unsurprising that Meeropol would lack the objective distance needed to deal with the part of this story that is personal to her, but her attempt midway through the film to contrast her father’s taste for folk music with Cohn’s lust for the disco hits at Studio 54 backfires; the leftist sing-a-longs described here sound far less attractive than the hedonism at that club.
Then again, the devil has the ability to assume pleasing shapes.When she is not trying to set up a “good guy/bad guy” dynamic between Cohn and her father, Meeropol jumps all over the place, trying to cram in too many stories and pieces of information,.
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