Ayesha K. Faines (2021), panelist on “The Grapevine”

A Catholic Church in the United Kingdom has banned an award-winning gay author from visiting and speaking at two schools near London. The Archdiocese of Southwark cancelled the talks by young adult fiction writer Simon James Green at the two schools. Green was scheduled to speak at The John Fisher School in Purley, South London on March 7 and at St John’s Primary School in Gravesend, Kent on March 9.

, and the Jared Leto and Anne Hathaway-led , which explores the rise and fall of the formerly $47 billion brand, WeWork, and the love story between two of the company’s co-founders.The streamer also recently announced that when baseball season begins, Apple TV+ will be the place fans will want to be (second only to the stands, of course). Apple and Major League Baseball are partnering to bring subscribers, a weekly double-header with pre- and post-game programming.

gathered together in Los Angeles and simultaneously in London on Sunday for the 2022 Critics Choice Awards, the ongoing war in Ukraine cast a looming shadow.As fans saw during this year's Screen Actors Guild Awards back in February, several stars addressed the ongoing conflict, and called for peace amid Russia's attack on Ukraine.From awards presenters using their time on stage to delivered a planned message of support to the words of unity shared by stars during their acceptance speeches, it was clear how prevalent the was was on the minds of those in attendance.Here's a look at some of the powerful messages shared by celebs throughout Sunday's awards gala.The Oscar-nominated Bulgarian actress Maria Bakalova — who earned widespread acclaim for her performance in 2020's took the stage early on during the show and shared a message of support for the people of Ukraine.«I am from Bulgaria, and my home city just a few hundred miles from Ukraine. So as we gather on this special night, I want to take a moment to acknowledge the bravery of the people of Ukraine, who are defending their right to Independence and democracy,» she shared.

Richard Linklater’s periodic forays into animation (Waking Life, A Scanner Darkly) have been distinctively imaginative, and that goes double for Apollo 10 ½: A Space Age Childhood. A nostalgic but not in the least sentimental look at Texas life when the American space program was at full thrust, this highly personal but entirely accessible account of growing up in a culture both historically momentous and banal has something to offer all audiences in terms of its vivid portrait of a very specific place and time. But most receptive of all will be viewers in their 60s and beyond who have personal memories of the July 20, 1969 moon landing and a of milieu both memorable and banal.

“When we donate money to different political candidates, we have no idea how they’re going to vote going forward into the future,” said Disney CEO Bob Chapek at a shareholders meeting this past week.

There’s a genuine, welcome sense of play to Richard Linklater’s “Apollo 10½: A Space Age Childhood,” and it’s present right off the bat, from the opening frames. This Netflix production marks the filmmaker’s return to rotoscope animation, the ingenious and striking drawn-over-the-top method that he brought into the mainstream with “Waking Life” and “A Scanner Darkly.” The technique’s real-but-not qualities were just right for those films, cranking up their (respectively) dreamlike and paranoid qualities; here, the M.O.

Where does a person go when fiction outstrips reality, and the wildest fantasies of even the most bombastic writer can’t hold a candle to what’s found at a dusty estate sale around the corner? Apparently, one dives right back into fiction, or at least the semi-autobiographical kind that a real-life super thief leaves behind as a pseudo confession — that is, if such a thing is to be believed. These are interesting questions, yet director Allison Otto wisely sidesteps any attempt at finding a definitive answer to them in her new doc, “The Thief Collector.” Instead, she focuses on the fascinating-yet-tangled web of deceit, charity, grace, and delicious mystery born out of it.

Benjamin Bratt has revealed that his wife Talisa Soto has breast cancer.

The Cow is a film about a mystery that comes with many mysteries of its own, chief among them being the question of why Winona Ryder’s career is so shaped by her past. Stranger Things may have brought her back to the public eye, but it seemed to claim her as an ’80s icon when Ryder only had a walk-on part in that decade’s final reel. Her role in Darren Aronofsky’s 2010 ballet psychodrama Black Swan likewise came with a sting in the casting, pitting Ryder as the outgoing grand dame against Natalie Portman as an ingenue snapping at her heels. And here again, much mention is made of her age when Sandra Bullock—seven years her senior—could lead a bigger movie without a peep.

Oscar winnerWilliam Hurt, who died today at 71, left behind a yet-to-be-released TV series, AMC’s first animated drama Pantheon. Hurt was cast in the project, from creator and showrunner Craig Silverstein a year ago. He had completed vis voice work on the series before his death, sources tell Deadline. There is no premiere date yet for Pantheon; it will likely debut later this year.

The joy of playing the guitar radiates from Really Good Rejects, Alice Gu’s SXSW documentary about Reuben Cox. Cox is a modern-day “luthier” – he makes stringed instruments, and his custom guitars grace stages all over the world. Artists clearly have a passion for his work: those lining up to praise him include Jackson Browne, Carrie Brownstein, Aaron Dessner of The National, Jim James of My Morning Jacket, Madison Cunningham, and Andrew Bird.

Sarah Snook was not at the Critics Choice Awards on Sunday to pick up her Best Supporting Actress Award for her work in HBO’s Succession due to a recent diagnosis of Covid-19. Her castmate Kieran Culkin told the media backstage that she is feeling fine.

“The Cow” makes its world premiere at the 2022 SXSW Film Festival.

Angelique Jackson Oscar winner Halle Berry made a special appearance at Sunday’s Critics Choice Awards to accept the SeeHer award, a prize that recognizes a woman who pushes boundaries and defies stereotypes. Berry’s career — which spans more than 30 years as an actor, producer and now director — easily fits that bill.Berry was presented the honor by “Insecure” creator and star Issa Rae, who Berry thanked for her inspiring work.

Presidential Fitness Challenge certificate) to go to the moon before Neil Armstrong to test out a capsule that has accidentally been made too small for adult astronauts. But no sooner does Stan upchuck during his first G-force simulation than adult Stan (Jack Black) hijacks the narration and takes a long detour into the sights and sounds and memories of growing up as a youngest child in late-’60s suburbia.This charming walk down memory lane — which includes everything from “Dark Shadows” to grandparents who remember the Depression to riding to the beach on the back of pick-up trucks and using gasoline-soaked rags to wipe the tar off your feet — is the heart of “Apollo 10 1/2,” and it’s an exhilarating, Proustian wave of reminiscences.

Peter Debruge Chief Film CriticEverybody knows the name of the first man to step foot on the moon, but how many have heard the story of the kid who walked there before him? Richard Linklater’s “Apollo 10 1/2: A Space Age Childhood” reflects one of the director’s childhood fantasies, informed by growing up in South Texas, a stone’s throw from Johnson Space Center, at the time NASA was trying to do the impossible. “Houston, we have a problem,” he playfully imagines the organization’s top scientists saying, “We accidentally built a lunar module a little too small.” Ergo, they need a 10 1/2-year-old to go up in Neil Armstrong’s place.As someone slightly younger than Linklater who also spent his formative years in Texas, it’s impossible to overstate how much I adore that premise and the collection of associations it brings up for the “Boyhood” director.

Golden Reel Awards were held this Sunday, honoring the best achievements in sound editing across film, television, video games and student work with “Dune,” “Nightmare Alley” and “West Side Story” among the winners.The ceremony, which was held virtually, was opened by an address from Motion Pictures Sound Editors president Mark Lanza congratulating the members of the organization for their continued work over the course of the COVID-19 pandemic.“These past two years, our members led the way in developing remote solutions that kept them working,” Lanza said at the ceremony. “We salute their ingenuity.

Nicolas Cage is stepping out to promote his new movie!

Feature Dialogue / ADR: “Nightmare Alley”Supervising Dialogue/ADR Editor: Jill Purdy MPSEDialogue Editor: Nelson Ferreira MPSEFeature Effects / Foley: “Dune”Supervising Sound Editors: Theo Green, Mark Mangini MPSESound Designer: Dave WhiteheadSound Effects Editors: Phil Barrie, Lee Gilmore MPSE, Greg Ten Bosch MPSE, Robert Kellough MPSE, Piero MuraFoley Editor: Christopher BonisFoley Artists: Andy Malcolm, Goro Koyama, Sandra FoxFeature Music: “West Side Story”Music Editors: Joe E. Rand, Ramiro BelgardtScoring Editor: David ChanningFeature Animation: “Raya and the Last Dragon”Supervising Sound Editor: Shannon MillsSupervising Dialogue Editor: Brad Semenoff MPSESound Designer: Nia HansenSound Effects Editors: Samson Neslund, David C.

Sarah Snook was notably absent from the festivities at the 2022 Critics Choice Awards on Sunday, and according to her co-stars, it's because she tested positive for COVID-19.Snook won the award for Best Supporting Actress in a Drama Series, but was not at the event to accept the honor. Speaking to reporters backstage in the press room, her castmate, Kieran Culkin, shared the reason she was forced to miss the event.«She tested positive for COVID this morning,» Culkin shared.

Kristen Stewart and Dylan Meyer are hitting the red carpet together for the first time!

Patrick Frater Asia Bureau ChiefMainland China’s theatrical box office slipped to its lowest weekend total of the year as the market suffered a combination of rising COVID cases and a lack of new releases.Nationwide box office between Friday and Sunday amounted to just $19.2 million, according to data from consultancy Artisan Gateway. It was the fifth weekend of decline since the splashy opening of eight major titles on Feb.

AUSTIN, Texas – Lizzo had strong opinions on Texas' legislation and policy regarding abortion and transgender children during Sunday's keynote session at the SXSW Film Festival. Lizzo, who was raised in Houston, said she wasn't "proud to rep" the state's political laws and policies. "I’m proud to rep Houston, but I’m not proud to rep Texan politics right now," the "Truth Hurts" singer told the audience listening at the Austin Convention Center.

, Best Cinematography, Best Adapted Screenplay, and Best Visual Effects. Starring Timothée Chalamet, Oscar Isaac and Zendaya, this universe is one you surely want to enter. Watch Now is based off of Frank Herbert's classic science fiction saga of the same name, and follows Paul Atreides, a nobleman, who lives in the distant future in an intergalactic feudal society ruled by one all-powerful emperor. Paul is forced to relocate with his parents to the desert planet Arrakis — the most dangerous planet in the universe, better known as Dune.

Want an inside look at the 2022 Critics Choice Awards? We have you covered!

Hannah Waddingham and Juno Temple are locking lips!

Margaret Qualley and Jack Antonoff have made their official debut as a couple!

So many stars were in attendance at the 2022 Critics Choice Awards and lots of great fashion was presented on the red carpet.

Melanie Lynskey is a winner!

Ayesha K. Faines, a broadcast and print journalist who later joined the web series Grapevine TV, died suddenly on July 2 at age 35. No cause of death has been reported.