The body count nearly matches the cast list in this bloody but inventive festival favorite from first-time Russian director Kirill Sokolov.
By Peter Debruge Chief Film Critic The coronavirus has made everyone a bit sensitive, with good reason, inspiring memes around such now-sensitive movie titles as delayed 007 entry “No Time to Die” and Emily Ting’s culture-shock indie “Go Back to China.” To this list of inappropriately named movies we might add “Why Don’t You Just Die!” — except that Russian director Kirill Sokolov’s pitch-black horror debut, which nixed its April 10 theatrical plans in favor of a straight-to-streaming option two weeks later, is the kind of deranged Grand Guignol bloodbath that’s wrong in all the right ways.
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