Manuel Betancourt “I’m gonna cut myself free of you even if it’s the last thing I do.” The line, uttered by Emma (Megan Fox) to her husband the morning after celebrating their 10th anniversary at their remote lake house, is the kind of on-the-nose dialogue that sums up the bluntness of S.K.
Dale’s wintry-set thriller, “Till Death.”Emma, you must know, is not (just) speaking figuratively. She did really feel trapped, in a way, in her loveless marriage to dashing if increasingly menacing lawyer Mark (Eoin Macken).
A line like “I thought you were gonna wear the red dress” sent chills down her spine; a request to wear a blindfold lest a romantic surprise be spoiled filled her with her terror; this was a woman who was clamoring for an escape.
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