Since the mid-1980s, William Gibson has set a precedent for heady SF novels, with “Neuromancer” and its “Sprawl” trilogy being the ur-texts of cyberpunk.
So, how have William Gibson‘s novels never crossed over to movies and TV? Maybe because Gibson’s speculative fiction is too hard to translate to a broad appeal.
After all, only two of Gibson’s short stories have made it to the big screen: 1995’s dismal “Johnny Mnemonic” and Abel Ferrara‘s underrated corporate raider tale “New Rose Hotel” from 1998.
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