The human voice is Tilda Swinton‘s, but the directorial voice is all Pedro Almodóvar in the Spanish legend’s half-hour, English-language “The Human Voice.” Freely adapting – read: ruthlessly modernizing and thoroughly Almodovarizing – the play by Jean Cocteau (material the director has circled around before, most evidently in “Women on the Verge of a Nervous Breakdown” and “Law of Desire“), despite its brevity, his new film is deceptively roomy, allowing us to pace through the superbly upholstered rooms of the director’s recurrent obsessions with giddy, fluid freedom.
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