Manuel Betancourt A man is standing still, facing the camera. He wears a construction hat and a neon safety vest over a bulletproof one.
It is nighttime, he’s shrouded in darkness. He closes his eyes as the camera slowly pans out, as if to better tune into his surroundings.
The din around him suggests a natural scene, crickets drowning out all else. Only gradually do we begin to hear the sounds of machinery.
As Justino (stoic newcomer Regis Myrupu) is lulled into sleep, a radio call brings him back into himself. It’s then we see he’s been standing in front of a shipping container, one of the many he’s tasked with patrolling during his shifts as a security guard at the Manaus cargo port.This poignant opening moment sets up the tensions.
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