Pharrell Williams had all the reasons in the world to be smiling. His infectious hit song “Happy” was the previous year’s top seller in the U.S., an international smash and soon to be a major Grammy moment.
But backstage during the rehearsals that February at Staples Center, Williams was bothered.He had signed with Columbia Records just over a year prior, negotiating a deal in which he leveraged better terms for himself through what he describes as “a Rubik’s Cube” of contractual language.
Most important, the contract gave him ownership of his master recordings.Williams, whose track record has made him one of the most in-demand collaborators of the past two decades, had painstakingly negotiated with Sony’s recorded and publishing arms for.
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