If acting is part journalism, part investigation, and part psychoanalysis of the character, actor Rebecca Hall embodies them all.
Throughout her career, which began early on with the big bang of Christopher Nolan’s “The Prestige”—which she bagged just on the strength of a video audition she sent in herself— and then quickly lead to head-turning performances “Vicky Cristina Barcelona,” “Frost/Nixon,” Nicole Holofcener’s “Please Give,” Ben Affleck’s “The Town,” Joel Edgerton’s “The Gift,” and Antonio Campos’ startling “Christine”—she has demonstrated the uncanny ability to be charming, but also emotional, vulnerable and absolutely convincing in everything she does.
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