Post-punk: Celebs Rumors

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Fontaines D.C. share taster of new music and dark Kubrick-esque teaser for new album ‘Romance’

Fontaines D.C. are continuing to tease new music with a Stanley Kubrick-inspired clip ahead of their new album ‘Romance’.The Irish post-punk group started to hint at new music last week with a 30-second clip in which frontman Grian Chatten is seen topless and in bright green trousers, with a black, swollen eye and heavy cuts and bruises all over.
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Big Special get real on ‘Butcher’s Bin’: “The working classes are used as nothing but a commodity”
Big Special have shared the politically aware new single ‘Butcher’s Bin’ – check it out below.Announced today (March 13), the new single is the latest to be taken from the duo’s upcoming debut album ‘Postindustrial Hometown Blues’, which is set for release on May 10 via SO Recordings.Following on from the lead single ‘Dust Off / Start Again’, the new track sees Big Special hone in on a synth-dominated sound, and shed light on the attitudes shown towards the working classes in today’s Britain.“‘Butcher’s Bin’ is about class awareness and the realisation that the working classes are used as nothing but a commodity and set against each other at every turn, their existence trivialised and struggles denied; the off cuts tossed to feed the rabid hounds of neoliberalism,” said lead singer Joe Hicklin of the inspiration behind the track.“The song is about all of this from the perspective of declining mental health whilst trying to make a living as an artist and to break through in a time and place where a life In art is seen as a luxury granted to those of a higher social class or a fruitless pursuit for idealistic fools.”Check out the single below.The alternative duo first announced details of their debut album last month, when they revealed the details around the LP and dropped the first teaser ‘Dust Off / Start Again’.According to the band, both tracks capture the essence of the forthcoming album, and look to unite them with listeners through their “common struggles”.“‘Postindustrial Hometown Blues’ is an album about depression.
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XTC on the possibility of a band reunion: “Never say never”
XTC have spoken about the possibility of reuniting the band at some point in the future, with each member offering different perspectives about the prospect.The Swindon post-punk four-piece – frontman Andy Partridge, bassist Colin Moulding, drummer Terry Chambers and guitarist Dave Gregory – have reflected on their legacy and looked to the future in a rare new interview with hometown paper, the Swindon Advertiser.The band, known for songs like ‘Making Plans for Nigel’, ‘Sgt. Rock (Is Going to Help Me)’ and ‘Senses Working Overtime’, formed in 1972 and split in 2006.The four members have now shared their thoughts on whether the band would ever reunite or release new music amid their own musical pursuits.“I think we’ve all got our own things going as I do sessions at the moment and I’d want to do another EP probably next year as well of my own,” said Moulding.“As for reforming now, I can’t see it really because we’ve all got different agendas because Terry wants to tour and Andy doesn’t and nor do I so it’s hard to reconcile that really.”He added: “Never say never I suppose because with the internet you’re able to record remotely with one another and that could quite feasibly happen with the memories of XTC.Moulding continued that there could be a “possibility” they “each individually record our parts at home and then somebody could mix it”.Chambers, who still tours with his band EXTC, playing covers of the band’s original songs, shared: “It wouldn’t be a problem for me as I’m still playing live regularly but as for the others, ask them.He clarified: “My feeling is no, it will never happen.”Gregory also agreed that it would be dependant on a number of factors.
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Listen to Heartworms’ new single ‘May I Comply’
Heartworms has shared her dark new single ‘May I Comply’ – listen to it below.The new track is the first release from Heartworms since March EP ‘A Comforting Notion’, which NME said in a five-star review was “brimming with all the promise of the next great cult act”.‘May I Comply’ arrives with an accompanying monochrome music video by Gilbert Trejo, who also directed Heartworms’ previous video ‘24 Hours’.“When I wrote this track I just wanted to get over an ex and to tell my little brother he’s good enough… turned out to be a lot darker than I thought,” Heartworms, real name Jojo Orme, shared in a press statement.Check out ‘May I Comply’ below.Gilbert Trejo added: “For ‘May I Comply’ Jojo and I wanted to lean harder into the stark black and white world that Heartworms is building, washing everything but the band out in a sea of emptiness. Between shooting ‘24 Hours’ and ‘May I Comply’ I’ve had the chance to photograph Heartworms on tour and was excited about capturing a bit more of the energy of Jojo’s performance at this stage.”‘May I Comply’ is produced by Speedy Wunderground head Dan Carey (Wet Leg, Slowthai, Fontaines D.C.) who Heartworms said she “idolised” before meeting him.“And then he came into my life and he sees me the same as I see him,” she told NME last year.
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Listen to a previously unheard demo version of Blondie’s ‘Go Through It’
Blondie have shared a previously unheard demo version of ‘Go Through It’, formerly known as ‘I Love You Honey, Give Me A Beer’.The demo, which features on the band’s upcoming box set ‘Against the Odds: 1974 – 1982‘, hears frontperson Debbie Harry singing different lyrics to the version (‘Go Through It’) that was released on the band’s fifth album ‘Autoamerican’ (1980).‘Go Through It’ also features mariachi horns, unlike the demo, and as Rolling Stone notes, ‘I Love You Honey…’ was possibly written to be included on the soundtrack for the 1980 movie Roadie.‘Blondie: Against the Odds: 1974 – 1982’ arrives on August 26 via UMC and The Numero Group (pre-order here), and boasts 124 tracks – 36 of which were previously unreleased – alongside remasters of original analog tapes that were cut to vinyl at London’s famous Abbey Road Studios.The Super Deluxe Collectors’ Edition contains Blondie’s first six albums – ‘Blondie’ (1976), ‘Plastic Letters’ (1977), ‘Parallel Lines’ (1978), ‘Eat To The Beat’ (1979), ‘Autoamerican’ (1980) and ‘The Hunter’ (1982) – as well as bonus tracks including a previously unheard recording of ‘Moonlight Drive’. You can listen to that track below.The release includes extensive liner notes by Erin Osmon; track-by-track commentary from frontwoman Debbie Harry, Chris Stein, Clem Burke, Jimmy Destri, Nigel Harrison, Frank Infante and Gary Valentine; essays by producers Mike Chapman, Richard Gottehrer and Ken Shipley; a 120-page illustrated discography; and hundreds of period photographs.For nearly two decades the bulk of Blondie’s audio and visual archive sat inside guitarist Stein’s barn outside Woodstock, New York.
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