Jay Weissberg Deliriously wry and so perfectly balanced it should become a case study in script classes, “Riders of Justice” may be the film that finally gives Anders Thomas Jensen international recognition beyond his usual spotlight as a sought-after screenwriter.
Comparisons with the Coen brothers will be inevitable given oddball characters whose fixations and genuine heart contrast with moments of extreme violence, yet the roots of this black revenge comedy go back even further, bringing an asocial spin to classic screwballers where a group of quirky misfits are balanced out by a lone woman who’s the most put-together and in touch of the bunch.Jensen (“Adam’s Apple,” “Men and Chicken”) works with his customary stable of actors, many of.
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