Angelique Jackson “One Night in Miami” director Regina King carries a jump rope to set, keeping it in her backpack until those particularly tense moments when everything goes haywire behind the scenes — like when an actor needs a pep talk, the crew has a tech issue or the weather shuts down production.
In these instances, the filmmaker breaks out the jump rope for a two-minute surge of oxygen to keep her head in the game.“I like to call myself a control enthusiast,” King says, explaining how she’s adapted her working style from actor to the director managing the set. “Going into it, I’m like ‘Yeah, let’s do it.’ But it’s terrifying at first.
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