Jessica Kiang If you’re sick of finding pandemic parallels in everything, no need to worry about Péter Bergendy’s period horror “Post Mortem,” the Hungarian Oscar entry.
It manages to avoid saying anything about our current moment despite being set during the Spanish Flu outbreak of 1918, when that virus was well on its way to killing 50 million people globally.
Worry instead that, as good as it looks with its fun special effects and promisingly creepy premise, this oddly un-scary ghost story is going to devolve into a hopeless muddle: Can a horror-movie village ever just be too haunted?
It would seem it can.There is a clever idea nestled in the film’s bleak setting, however. At the end of the then-unprecedented loss of life occasioned by.
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