Muni Love Delivers a Sultry Blast of Vintage ’90s R&B With ‘Public Displays of Affection’: Album Review
Jem Aswad Senior Music Editor There’s been no shortage of neo-R&B albums over the past few years, but so many of them are led by breathy female singers who feel like they’re singing in your ear — very few have had full-voiced singers at the forefront. And although Muni Long isn’t a belter and does put on the bedroom voice on a couple of tracks, her first full-length album is a blast of vintage ‘90s R&B that isn’t trying to be cute: It’s filled with frank lyrics about of love and sex from an artist who’s been around for more than a minute. Working under the name of Priscilla Renea, Muni has long been a songwriter whose soul and pop smarts helped forge hits such as Ariana Grande’s “Imagine,” Fifth Harmony’s “Worth It,” Rihanna’s “California King Bed,” along with tracks for Mariah Carey, Kelly Clarkson, Madonna, Mary J. Blige, Miranda Lambert, Selena Gomez and more.She released strong albums under that name too — 2009’s “Jukebox” and 2018’s “Coloured” — but neither of those records had the sparkle, innovation and warmth that her songwriting catalog contained. A change of name, an independently-released EP featuring the haunting, quirky hit “Hrs and Hrs,” and suddenly, Muni Long is a new artist with a remarkably seasoned and strong debut album.