By Jennie Punter With the global premiere of National Geographic’s “Jane Goodall: The Hope” on Earth Day (April 22) and the April 19 premiere of the first two episodes of Michael Jordan series “Last Dance” — a ratings slam-dunk for ESPN — it’s deceptively easy to think all is right in the documentary world.
The coronavirus pandemic has created a huge, captive audience for documentaries à la “Tiger King,” while films are reaching millions of home-schooling students and connecting house-bound viewers to the outside world.
Meanwhile, broadcasters and streamers are moving up premiere dates and making select programming more widely (i.e. freely) available, while doc-championing independent U.S.
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