Christopher Vourlias When U.K.-based Camelot Films’ “Prizefighter: The Life of Jem Belcher” was forced to relocate to Lithuania earlier this year, after the film’s Welsh financing fell through, executive producer Kestutis Drazdauskas knew the first challenge facing director Daniel Graham’s period drama would be re-creating 19th century England in 21st century Vilnius.“It was an extensive set construction for us, because locations for us are minimal that could play as that period in England and Wales,” says Drazdauskas, who runs the production company Artbox and is chairman of the board of the Independent Producers Assn.
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