James Patrick Herman There’s nothing like validation from your peers, especially in Hollywood, but seeing your name emblazoned in a front-end credit on TV is something music supervisors have found elusive — even when the show centers around, or is chock full of, music.”I worked on a very music-intensive show and asked for a front-end credit because the show was based around music and dance,” says Jen Malone, who this year won a Guild of Music Supervisors (GMS) Award for her work on “Euphoria” (the HBO series shows a title card in lieu of main credits). “The studio said the Directors Guild of America will not allow it because they consider a music supervisor to be a technical credit.
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