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Mitski Returns From a Hiatus With the Coolly Uncertain, Midtempo Melancholy of “Laurel Hell’: Album Review

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variety.com

Chris Willman Music WriterMitski Miyawaki’s rise through the indie rock ranks is the stuff of envy, even if she herself seems to be of two minds as to whether it should be.

The 31-year-old’s most recent albums, 2016’s “Puberty 2” and 2018’s “Be the Cowboy,” earned spots on countless best-of lists, millions of streams, and TikTok meme-ification, thanks to an enthralling ability to locate unexpected wild emotions in gentle moments and deliver them in poetic yet memorable hooks.

At times that adoration has felt like it has turned Mitski into an ice sculpture: her immaculately carved art deserving the gawking, while she herself becomes more idea than human, something mystic and susceptible to melt away if you get too close.

After years of endless touring building up to that point, it was clear that the soul-scathing work required to produce that art had taken its toll.

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