Karen Idelson Several of this year’s biggest animated films wanted to take bold stylistic risks that would set them apart from what audiences had come to expect from modern CG animation.
On their quest to take the next leap forward, they turned to a style known for its warmth and imperfection — 2D animation.“The Mitchells vs.
the Machines,” “Luca,” “Raya and the Last Dragon” and “Flee” — all nommed for the animated feature Oscar — found something they needed for their stories in 2D.
Whether the style matched the imperfection of the characters themselves, added warmth or established a different look for a specific sequence, it became a crucial inspiration.In “The Mitchells vs.
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