Caroline Framke Chief TV CriticThe best compliment to give a Mike White series is that it’s near impossible to categorize. As with “Enlightened,” the 2011 Laura Dern vehicle that proved ahead of its time in more ways than one, “The White Lotus” defies attempts to pin it down from the very beginning as it deftly threads the needles of several genres at once.
It similarly examines the human costs of self-absorption, materialism and the double-edged sword of righteous crusading from those who don’t quite know how to help the world without making themselves the center of it.
Entirely written and directed by White, “The White Lotus” seems to conclude that any character not battling an existential crisis is painfully oblivious — or at least not.
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