Peter Debruge Chief Film CriticBy far the most biting and ironic satire to premiere in Cannes competition this year — a divisive comedy whose cynicism was met with boos at the press screening — Bruno Dumont’s “France” doesn’t want to be liked.
That’s more than can be said of its eponymous protagonist, France de Meurs (Léa Seydoux), the country’s top news anchor and a damning representation of the journalist-as-star phenomenon.
Picture a cross between Anderson Cooper and Megyn Kelly, an attention-thirsty TV personality who beams when her followers tweet “France for president,” but tears up when a politician insults her backstage, reducing her to nothing more than “a pretty tool” for a profit-seeking news network.
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