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‘Dashcam’ Review: A Social Media Monster Meets a Monster of a Different Kind

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variety.com

Dennis Harvey Film CriticWaxing, waning COVID restrictions continue to force filmmakers to develop workarounds if they want to work at all.

While one can admire their enterprise, it would be fibbing to pretend most such efforts to date have been very interesting as art or entertainment, beyond the novelty of whatever conceptual gimmick allowed them to keep cast and locations to a segregated minimum.

An exception last year was streaming hit “Host,” which delivered a fun and scary ride despite the notion of a demonic presence invading a group Zoom call being similar to numerous other recent horror opuses.

Its success was particularly notable since the film didn’t even quite reach feature length, clocking in at just under an hour.

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