Clayton Davis The musical groove of Amazon Studios’ “Annette” has landed within the confines of the prestigious Cannes Film Festival.
While the terms “strange” and “quirky” will be understatements used to describe the operatic musical, it’s the type of eclectic and artistically charged cinematic endeavor that has always brought a cinephile to the movies, and one that could appeal to the European voting arm of the Academy Awards in multiple artisan categories, and attainably major recognition for Simon Helberg in supporting actor.
Contingent on how the rest of the dense and packed year shakes out from other studios, there could be a prospect for its top-billed stars, and perhaps even a best picture nomination play.
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