Jessica Kiang Without Wendy Chinchilla Araya, the dancer and first-time film actress playing the title role, “Clara Sola” would be a finely wrought tale of a later-life coming-of-age, in which mysticism, marginalization and sudden sexual jealousy collide on the fringes of a teeming Costa Rican forest.
With her, and her feral movements and her keen but wary eyes, director Nathalie Álvarez Mesen’s feature debut is elevated into something much more strange and sorrowful, a kind of lament for the casual cruelties that “regular” people visit on those who don’t fit — and by extension on all the creatures of this world that we cannot understand, but still manage to exploit.Clara is an extraordinarily believable creation: an intellectually.
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