China Box Office: ‘Godzilla vs. Kong’ Routed by Low-Budget Local ‘Sister’

Stray Kids members Han and Seungmin have unveiled their cover of Day6‘s ‘Zombie’.The new rendition of the Day6 song was uploaded to Stray Kids’ official YouTube channel yesterday (February 9), marking the latest addition to the eight-piece’s ongoing series of song covers, called ‘SKZ-RECORD’. ‘Zombie’ was the title track of Day6’s 2020 ‘The Book Of Us: Demon’ record.The duo largely stay faithful to the original, with the pair harmonising on the chorus: “I feel like I became a zombie / Not alive, but I’m still walkin’ / When the sunrise is upon me / I’ll be waiting for the day to pass by, oh why?”Past covers for he ‘SKZ-RECORD’ series include I.N’s rendition of HuhGak’s 2013 single ‘Memory Of Your Scent’, Seungmin’s cover of ‘Love Again’ originally by EXO‘s Baekhyun and more.The JYP Entertainment boyband’s last comeback was their holiday special single album ‘Christmas EveL’ released in November 2021, which includes a title track of the same name and a new B-side track ’24 to 25′.

Green Man Festival has announced over 70 new acts for their 2022 festival, with Kraftwerk, Beach House and Metronomy set to headline.The festival in Brecon Beacons, Wales had already confirmed that Michael Kiwanuka will co-headline their 2022 event. This year’s festival will take place from August 18-21, and will serve as the 20th anniversary of Green Man Festival.Kraftwerk’s headline set at Green Man will mark their first-ever appearance at the festival.Bicep have also been added to the line-up today (February 10), which now includes the likes of Parquet Courts, Kae Tempest, Cate Le Bon, Black Country, New Road, Low and many more.Ty Segall & Freedom Band, Yves Tumor, Dry Cleaning, Ezra Furman, Jenny Hval, Alex G, Valerie June, Mdou Moctar, Arab Strap, Orchestra Baobab, Viagra Boys and The Murder Capital are also on the Green Man bill – you can check out their 2022 line-up poster above.Further additions to the Green Man Festival bill will be announced in the coming months.Tickets for the event have already sold out, but you can find out more information about this year’s festival here.“We’re so excited about Green Man’s 20th birthday, and we’re planning to celebrate his big anniversary with lots of wonderful surprises and the best party ever!” Green Man boss Fiona Stewart previously said in a statement about this year’s festival.

Content warning: this article discusses allegations of sexual assault.Snoop Dogg has been sued for sexual assault by a woman who regularly worked on-stage with the rapper.The Jane Doe accuser filed the lawsuit in a Los Angeles federal court yesterday (February 9), claiming that Snoop (real name Calvin Cordozar Broadus Jr.) and his associate Bishop Don “Magic” Juan (Donald Campbell) assaulted her after she attended a Snoop Dogg concert at Club Heat Ultra Lounge in Anaheim, California on May 29, 2013.According to Rolling Stone, the woman alleges in the lawsuit that she was assaulted in back-to-back attacks after she accepted a ride home from Campbell and wound up at his residence against her wishes. She claims Campbell assaulted her at the residence when he “removed his penis from his pants” and “repeatedly shoved his penis into (her) mouth.”It’s then claimed that Campbell later demanded she accompany him to a recording studio where Broadus Jr.

Holly Willoughby turned up to work today, Thursday 10 February, to find her dressing room filled with impressive birthday decorations. The This Morning veteran turns 41 today, and evidently her hair and make-up team didn’t want the occasion to go unmissed. In a video shared on Instagram, Holly panned around the room that was filled with pink and silver balloons, a large birthday banner, and confetti on her dressing table.The team also printed off 17 sheets of paper to write out ‘HAPPY BIRTHDAY HOLLY’ and stuck them up on the wall.

EXCLUSIVE: European film giant Pathé, which owns more than 1,000 cinema screens across the continent, will always be a theatrical-first business. That doesn’t mean it can’t also move with the times.

Warner Bros. pandemic hit Godzilla vs. Kong grossed $3.88M on Friday, which will yield an estimated $12.9M second weekend at 3,084 theaters (+20), -60%, on its way to $69M by the end of tomorrow. In the Legendary title’s first week, the monster movie has grossed $60M, making it the top grossing pic stateside during the pandemic (since mid-March 2020), and giving Warner Bros. four out of the five top grossing titles over the last year which include the studio’s Tenet ($58.5M) in second place, Universal/Dreamworks Animation’s Croods: New Age ($56.5M) in third, Warner’s Wonder Woman 1984 with $46.2M, and the studio’s Tom & Jerry with $40.3M.

it’s one hell of a feast for the eyes.“Godzilla vs Kong” is the culmination of the four-film Monsterverse from Warner Bros that began with “Godzilla” back in 2014 and continued with “Kong: Skull Island” and “Godzilla: King of the Monsters.” This is, without a doubt, a series with more potential going forward — it’s not as though the Titans go away at the end of the movie. They could keep going with these things for a while.Also Read: The 13 Most Insane Parts of 'Godzilla Vs Kong'With that in mind, you can’t help but wonder if, as they did with “Skull Island” and “King of the Monsters,” this one has a bonus scene during or after the credits to tease what’s coming up next.

EXCLUSIVE: OWN has set the lead cast for The Kings Of Napa, its new drama series about the power struggle between wealthy siblings in Napa Valley. Ebonee Noel (FBI), Rance Nix (Zero Issue), Karen LeBlanc (Ransom) and Yaani King Mondschein (For All Mankind) have been tapped to star in the series from Claws executive producer/showrunner Janine Sherman Barrois, Warner Bros. Television and Harpo Films.

The debut of Legendary and Warner Bros.’ Godzilla vs. Kong on HBO Max on March 31, the same day the big budget pic opened in theaters, became an afterthought when the monster showdown roared to a $48.1 million opening at the domestic box office, by far a pandemic best and providing a huge jolt of confidence for the theatrical business.

Dune might premiere in theatres instead of a proposed simultaneous release on HBO Max.Reports say that the film’s production company, Legendary Entertainment, hasn’t yet firmed up plans with Warner Bros. to release Denis Villeneuve’s sci-fi epic in cinemas and on HBO‘s streamer on the same day (October 1, 2021).Deadline writes that the success of Legendary’s other film with Warner Bros., Godzilla vs.

Ray Fisher is opening up, in a new report from THR, about the issues he’s been having with Warner Bros. since his time working with Joss Whedon on the reshoots of “Justice League” in 2017.

Third-party streaming ratings firm Samba TV reports that 3.6 million households watched at least five minutes of Warner Bros./Legendary’s Godzilla vs. Kong on HBO Max in the pic’s first five days from March 31 to April 4.

The theatrical performance of Godzilla vs. Kong"destroys lingering concerns around theatrical window importance and demonstrates a solid path to resurgence" for cinema operators, B.

If you watched “Godzilla vs. Kong” over the weekend and noticed that Lance Reddick was listed in the opening credits but didn’t really appear in the film, you’re not the only one.

The U.S. box office is back in action.

Godzilla vs. Kong continued to score the best opening numbers of the pandemic at the North American box office, grossing another $11.6 million on Friday for a three-day total of $27.9 million. That puts the Legendary and Warner Bros.

Refresh for latest…: After logging the best pandemic-era start for a Hollywood movie at the international box office last weekend, Warner Bros/Legendary’s Godzilla Vs Kong has punched up $285.4M worldwide through Sunday.

After a year of closures, false starts, and seemingly endless waiting, Warner Bros./Legendary’s “Godzilla vs. Kong” has given the box office and movie theater owners reason to cheer.

Rebecca Rubin Film and Media Reporter“Godzilla vs. Kong” muscled its way to a pandemic-era box office record, giving Hollywood studios and theater owners alike hope that people are ready to return to the movies after a year of watching Netflix at home.The tentpole, from Warner Bros.

Saturday AM Update: Godzilla vs. Kong is now up to $27.9M in three days after an $11.6M Friday at 3,064 locations, +73% over Thursday. The 5-day projection for the Adam Wingard-directed Warner Bros/Legendary title is $42M — far and away the best opening (3 and 5-day) we’ve seen at the domestic B.O. during the pandemic, meaning since mid-March of 2020.

Rebecca Rubin Film and Media Reporter“Godzilla vs. Kong” continues to rake in monster ticket sales, pulling in $11.6 million on Friday for a three-day haul of $27.9 million.Through Sunday, the Warner Bros.

Warner Bros.’ “Godzilla vs. Kong” has provided a king-sized boost to the box office recovery effort, earning $11.6 million from 3,064 locations on Friday.

Godzilla vs. Kong continued to roar Thursday at the domestic box office, earning $6.7 million from 2,409 reopened theaters for a two-day total of $16.3 million as the pic stomps into Easter weekend.

it’s one hell of a feast for the eyes.“Godzilla vs Kong” is the culmination of the four-film Monsterverse from Warner Bros that began with “Godzilla” back in 2014 and continued with “Kong: Skull Island” and “Godzilla: King of the Monsters.” This is, without a doubt, a series with more potential going forward — it’s not as though the Titans go away at the end of the movie. They could keep going with these things for a while.Also Read: The 13 Most Insane Parts of 'Godzilla Vs Kong'With that in mind, you can’t help but wonder if, as they did with “Skull Island” and “King of the Monsters,” this one has a bonus scene during or after the credits to tease what’s coming up next.

Georgia's potential loss could be New Jersey's gain. At least that's what the Garden State hopes.

Godzilla vs. Kong did monster business on it opening day at the domestic box office — at least for the pandemic-era — in a big boost for Hollywood.

Rebecca Rubin Film and Media Reporter“Godzilla vs. Kong” debuted in the U.S.

Yesterday, moviegoers demonstrated that they were truly yearning to go back to the movies. How’s that? Warner Bros.’/Legendary’s Godzilla vs. Kong posted what is a record opening day during the pandemic domestic B.O. of $9.6M. Since mid-March 2020, when theaters closed, and slowly returned in late August, no other film has done this type of business. The projection heading into this weekend over five days was $20M-$30M; it’s clear Godzilla vs. Kong could easily beat that. Even if you can watch Godzilla vs. Kong at home on HBO Max, there are those who want to get out and experience the monster clash in a boom-shaka-laka rattling auditorium on a big screen.

it’s one hell of a feast for the eyes.“Godzilla vs Kong” is the culmination of the four-film Monsterverse from Warner Bros that began with “Godzilla” back in 2014 and continued with “Kong: Skull Island” and “Godzilla: King of the Monsters.” This is, without a doubt, a series with more potential going forward — it’s not as though the Titans go away at the end of the movie. They could keep going with these things for a while.Also Read: The 13 Most Insane Parts of 'Godzilla Vs Kong'With that in mind, you can’t help but wonder if, as they did with “Skull Island” and “King of the Monsters,” this one has a bonus scene during or after the credits to tease what’s coming up next.

(It should go without saying that this article will contain many spoilers for “Godzilla vs Kong”)“Godzilla vs Kong,” the culmination of the Warner Bros. MonsterVerse, is finally here in theaters and HBO Max.