There are plenty of bodies in motion, clothed and not, in Aviva, a love story propelled by inventive dance sequences and uninhibited sex.
But the first bodies we see in Boaz Yakin's atypically experimental film are defiantly still. Their gazes are direct, their self-confident nakedness a rebuke, perhaps, or a happy challenge to run-of-the-mill repression, setting the tone for the emotional and physical writhing that lies ahead.
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