How does the historical nightmare of slavery inhabit the present day? “Antebellum,” the feature-length debut of directing duo Gerard Bush and Christopher Renz, tackles this question, once explored with originality and nuance by Jordan Peele’s “Get Out,” with shallow simplicity.
For all its ideas—the existential threat to white supremacy posed by Black success, the lingering effects of intergenerational trauma, and the insidious romanticization of the Confederacy— “Antebellum” contains symbols rather than people and intrigue without meaningful discovery.
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