Lockdown affected us all in peculiar ways, and given that veteran provocateur Abel Ferrara was pretty damn peculiar, to begin with, it’s no surprise that “Zeros And Ones” — a fiction that makes use of the non-fictional pandemic in ways both fascinating and frustrating — should turn out to be such a conundrum, equal parts confounding and intriguing, repellent and rewarding.
Ostensibly a more genre-based exercise than Ferrara’s last few films – there are explosions, soldiers, guns, spycams, and foot chases through the livid Rome night — in fact, this new dystopian drama may be more difficult and inaccessible than his 2020 Berlin mindfuck “Siberia,” which at least had a fish quoting Nietzsche to signal that perhaps it wasn’t all meant entirely.
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