Elsa Keslassy International CorrespondentThe recent success of “CODA,” a drama adapted from César-winning French film “La Famille Bélier” that sold to Apple in a record-breaking deal at Sundance, may herald a new era for remakes spearheaded by French producers with Hollywood ties and European financing.U.S.
remakes of French movies have had a checkered history. Some titles, like James Cameron’s “True Lies,” adapted from “La Totale!,” and more recently the Kevin Hart-headlined ”The Upside,” a remake of critically acclaimed “The Intouchables,” have been hits.
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